A Quote by Stephen Vincent Benet
Since graveyards are often built over older burial grounds, I assume Dolores Park was probably an Indian, (an Ohlone) graveyard before that. I think the fact that it has so many layers underneath the contemporary one intrigues me.
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In America, burial means an embalmed body in a heavy-duty casket with a vault built over it, so that the ground doesn't settle. That body is encased in many layers of denial.
When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.
It is a pity that so many Americans today think of the Indian as a romantic or comic figure in American history without contemporary significance. In fact, the Indian plays much the same role in our society that the Jews played in Germany. Like the miner’s canary, the Indian marks the shift from fresh air to poison gas in our political atmosphere; and our treatment of Indians, even more than our treatment of other minorities, reflects the rise and fall in our democratic faith.
Too often, teachers assume that they are introducing a book or concept to students for the first time. In fact, many units are repeated over the course of a student's K-12 experience.
In general, the bigger a mountain the older it is. The biggest mountains were built before any others, because when they were built there was incomparably more flammable material within the Earth. Over the many thousands of years that have passed, the quantity of flammable material has doubtless decreased.
I think that all of the scars and all of the layers that I've built over the years made me the person that I am today, and I'm pretty happy about that person.
I would argue that search has made the world a better place. It has done so for reasons that arbitrarily could completely change that - not arbitrarily at all but to completely change how that plays out based upon the needs of profitability. So it's totally unreliable and it has many layers nested underneath that of many ulterior motives nested underneath it.
As you get older, you have more and more layers of experience to forgive, more layers of heartbreak, more layers of what you might think of as failure.
The older the layers, the more each of them is uniform over a great extent; the newer the layers, the more they are limited and subject to variation within small distances.
And I felt more like me than I ever had, as if the years I'd lived so far had formed layers of skin and muscle over myself that others saw as me when the real one had been underneath all along, and I knew writing- even writing badly- had peeled away those layers, and I knew then that if I wanted to stay awake and alive, if I wanted to stay me, I would have to keep writing.
Lupe Velez was way before me; Dolores Del Rio was way before me, so I had no one. So the only one I could think of that I identified with was this gorgeous creature named Elizabeth Taylor, so she became my role model.
The music that I make is built on layers upon layers of musical ideas. I want to keep it fun and fresh to where listeners won't get everything from just one listen. They can go back to it months, weeks, or even years later and hear something that they didn't ever hear before. That's what it's all about.
When I was younger, I loved graveyards. They weren't spooky so much as mysterious. Each tombstone another story to uncover. Another life to learn about. Now that I'm older - I won't say how old - I hate graveyards. The only life - or rather death - I see in the tombstones is my own.
Everything in Louisiana is about layers. There are layers of race, layers of class, layers of survival, layers of death, and layers of rebirth. To live with these layers is to be a true Louisianian. This state has a depth that is simultaneously beyond words and yet as natural as breathing. How can a place be both other-worldly and completely pedestrian is beyond me; however, Louisiana manages to do it. Louisiana is spooky that way.
I recycle and try to be nice to the earth. But flora and fauna have always interested me, and it is because of so many years of summer camp and growing up in DC with Rock Creek Park fairly near me, or Glover Park; I lived in Glover Park for a while and that park was in my backyard.
The songs came from a more solitary place and I hadn't played them with many people before recording. So I just added the layers of people who are in my life, and built up the songs.
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