A Quote by Stephen Vincent Benet
Ironically the blog has re-opened the essay as a good form for me. I like to look and make commentary! If I sense my essays are good, I try to resubmit to another place in pulp and several of them have been variously published in newspapers and magazines.
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Although the point of blogging is that it doesn't pay, I often steal from my blog for paid publication. I've based several magazine essays on blog posts, as well as an entire book.
I feel that I'm an essayist and that my best work gets done in that form. I wanted to do a book where the essays could exist on their own terms. A book that was neither a book of essays that were shoehorned into a memoir, nor [one where] the essays had been published elsewhere first, [because] then they would kind of bear the marks of those publications.
I check fashion magazines when I'm published in them to make sure that my work looks good, and then I kind of put it aside.
I'm not naive and realise it doesn't make good commentary or sell newspapers if you only say nice things, and the time does come when you have to say someone isn't good enough and has to go. But commentators like Richie Benaud have shown that criticism can be made in a constructive or humorous way.
It just kills me when these girls look at magazines and wish they could look like that. I try to tell them, 'Nobody looks like that. Everything's airbrushed.'
I try to make statements that aren't broad because that doesn't make for good writing. I don't get commentary as my job, because I'm not very good at that. The way I do it is by writing songs, and I have to be small; I have to make the stories a bit personal.
I've played people that are on the line of evil and good, but that's life. We are always playing with the good and the bad. I see them as people. I don't see them as caricatures. I try to not make them caricatures. Maybe I fail, but I try to see what' behind them. Would I play the hero? A superhero? I don't think so. But, I play good guys. There are some there, but you have to look.
Of course it's possible for political essays to be artful. I just want to call into question the dominance of content over form in the history of the essay. I want us to recognize that there's art involved in making this stuff, because we still don't approach the constructed nature of the essay with the same appreciation that we do poetry or fiction.
Very few people, thank God, look like the pictures of them which are published in the papers and the weekly magazines.
If I hadn't had my children, I would have been discouraged a lot quicker. It would have been much more easy for me to say, "You know what, let the whole thing go. Have a good time, because these people, this place - it's just not worth it." You know? I can't do that anymore. I look into those eyes and they look at me so trustingly that I'm gonna make sure that [they're thinking], "Hey, you did a good thing bringing me into the world, daddy. I'm going to have a great life!"
I picked such seemingly disparate essays, I thought it was important to say what was the guiding principle in the selection rather than focus on any one essay. I reached for some principle that had been subconscious in me and lifted it into consciousness. Authenticity and sincerity were the most important unifying principles of all these apparently different essays.
Hey, girls, you're beautiful. Don't look at those stupid magazines with sticklike models. Eat healthy and exercise. That's all. Don't let anyone tell you you're not good enough. You're good enough, you are too good. Love your family with all your heart and listen to it. You are gorgeous, whether you're a size 4 or 14. It doesn't matter what you look like on the outside, as long as you're a good person, as long as you respect others. I know it's been told hundreds of times before, but it's true. Hey, girls, you are beautiful.
My presence isn't simply about "character" - I'm present in every part and particle of the thing, in the sound and rhythm of the sentences, in the shifting tones and the selection of details, in the comedy, the sadness, and the confusion. For the space of an essay, I'm the air you breathe, everywhere and nowhere. With a personal essay, I don't think you'd want it any other way. You ought to have the sense of an encounter, the impression of having met someone. In my essays, for better or worse, that someone is me.
The Lazysphere - a working definition - is a group of bloggers who I won't name by name, but you can spot them a mile away. Rather than create new ideas or pen thoughtful essays, they simply glom on to the latest news with another "me too" blog post.
I like them all-pointers, setters, retrievers, spaniels-what have you. I've had good ones and bad of several kinds. Most of the bad ones were my fault and most of the good ones would have been good under any circumstances.
I know there's a lot of competition in the world of magazines and newspapers and we have to make headlines and be sensational and sell, and saying bad things about me is going to sell more papers than writing good things about me.
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