A Quote by Stephenie Meyer

When I told you I didn't want you it was the blackest kind of blasphemy — © Stephenie Meyer
When I told you I didn't want you it was the blackest kind of blasphemy
You’re not asleep, and you’re not dead. I’m here, and I love you. I have always loved you, and I will always love you. I was thinking of you, seeing your face in my mind, every second that I was away. When I told you that I didn’t want you, it was the very blackest kind of blasphemy.
Blasphemy is an artistic effect, because blasphemy depends upon a philosophical conviction. Blasphemy depends upon belief and is fading with it. If any one doubts this, let him sit down seriously and try to think blasphemous thoughts about Thor.
Blasphemy? No, it is not blashphemy. If God is as vast as that, he is above blasphemy; if he is as little as that, He is beneath it.
There are no white lies, there is only the blackest of destruction, and a white lie is the blackest of all.
Millions of Indonesians who live with secrets in their family who have a sense of that kind of secret that their parents never told them, want to be told about what happened so they can know where they come from.
It is blasphemy to separate oneself from the earth and look down on it like a god. It is more than blasphemy; it is dangerous. We can never be gods, after all - but we can become something less than human with frightening ease.
Once blasphemy again God was the greatest blasphemy; but God died, and thereupon those blasphemers died too.
First of all, let me give my comments on the blasphemy law. This law was introduced by the military dictator General Ziaul Haq. No one demanded the blasphemy law in Pakistan. But he wanted to give protection to his undemocratic rule, dictatorship, by using religion. So Pakistan came into being in 1947, and from 1947 until 1986 no case against any minorities was registered under the protection of the blasphemy law. Nobody from minorities was killed and no act of violence happened [against them].
In 1986, Pakistan got the blasphemy law. So, while we had just two cases of blasphemy before that year, now we have thousands. It shows that one should be careful while bringing religion into legislation, because the law itself can become an instrument of persecution.
My high-school coach Tony Reginelli was kind of famous for 'Reggie-isms,' kind of like 'Yogi-isms.' He always said if you want to be a good quarterback, when sprinting left you want to be amphibious and throw left-handed. I told him, 'You mean ambidextrous, coach?'
They won't listen. Do you know why? Because they have certain fixed notions about the past. Any change would be blasphemy in their eyes, even if it were the truth. They don't want the truth; they want their traditions.
I told my mother this and I told my family this. I told them I was going to be the guy who had success. I just want to stick to what I say.
Why do we protect children from life? It's no wonder that we become afraid to live. We're not told what life really is. We're not told that life is joy and wonder and magic and even rapture, if you can get involved enough. We're not told that life is also pain, misery, despair, unhappiness, and tears. I don't know about you, but I don't want to miss any of it. I want to embrace life, and I want to find out what it's all about. I wouldn't want to go through life without knowing what it is to cry.
For all its terrible faults, in one sense America is still the last, best hope of mankind, because it spells out so vividly the kind of happiness that most people actually want, regardless of what they are told they ought to want.
I don't want to be taken to Bhutan and smell the flowers. I want to be told something I couldn't have been told any other way.
William Shakespeare was the most remarkable storyteller that the world has ever known. Homer told of adventure and men at war, Sophocles and Tolstoy told of tragedies and of people in trouble. Terence and Mark Twain told cosmic stories, Dickens told melodramatic ones, Plutarch told histories and Hans Christian Andersen told fairy tales. But Shakespeare told every kind of story – comedy, tragedy, history, melodrama, adventure, love stories and fairy tales – and each of them so well that they have become immortal. In all the world of storytelling he has become the greatest name.
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