A Quote by Stephenie Meyer
Of course, I still saw Edward at school, because there wasn't anything Charlie [her dad] could do about that. And then, Edward spent almost every night in my room, too, but Charlie wasn't precisely aware of that. Edward's ability to climb easily and silently through my second-story window was almost as useful as his ability to read Charlie's mind.
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I am not really breaking any rules. Charlie said I could never take another step through the door again... I came in through the window... Still, the intent was clear," said Edward.
I tensed for the spring, my eyes squinting as I cringed away, and the sound of Edward's furious roar echoed distantly in the back of my head. His name burst through all the walls I'd built to contain it. Edward, Edward, Edward. I was going to die. It shouldn't matter if I thought of him now. Edward, I love you.
Charlie took my hand and, in a symbol as old as the world, placed it in Edward’s. I touched the cool miracle of his skin, and I was home.
But Charlie, Charlie, how can we ever really know anything? Charlie, what or who is God?
Edward stretched out his arm, his hand curled into a fist. Seth grinned, revealing the long row of dagger teeth, and bumped his nose against Edward's hand. "Nice teamwork," Edward murmured.
Even if I don't see Brooklyn I have to see Anomolisa, because it's Charlie Kaufman. No one is doing things that they should't be doing more in cinema than Charlie Kaufman. This is how I look at it: he had an incredible story that was going to resonate regardless, but just shooting that movie is too easy for Charlie Kaufman.
I'm from a little village in the south of Holland where there was nothing to do but watch American movies and television - I grew up with The 'A-Team,' 'Charlie's Angels,' and 'Edward Scissorhands.'
I met Charlie Trotter before I actually saw him in person; I was 24 when I first opened the pages of Charlie's cookbook 'Charlie Trotter's' and was greeted by a man I would know and admire for the next 20 years.
The Miraculous Journey of Edward Tulane began with a friend giving me a rabbit doll - forgive me, Edward, for using that word; he doesn't like "doll" - for Christmas. I said, "Oh, he's lovely, what's his name?" And she said, "Edward." And a few days after I received the rabbit, who was dressed very handsomely in Edwardian kind of clothes, I saw him stripped of his finery and face down on the bottom of the ocean floor. Why? I don't know. But that's where his story began in my head.
It's a weird kind of disconnect that this whole story [he Miraculous Journey of Edward Tulane] grew around a real doll of mine, and here he is, with his "Edward" expression on his face. It's kind of reality bumping into fantasy.
"You’re exactly like Charlie." She'd sighed, resigned. "Once you make up your mind, there is no reasoning with you. Of course, exactly like Charlie, you stick by your decisions, too."
For Charlie and the Chocolate Factory, he came to me and said, "I want to do everything that's in the book, and as much more as you need, so that it all makes sense." I was like, "Okay!" And then, I would pitch back to him my love for Charlie Bucket's family and how lucky Charlie was, and that I felt so bad for Willy Wonka, shut up in his factory, all alone with these crazy Oompa Loompas.
[Charlie "Bird" Parker] would sit down and ask [Phil Wood], "What do you think about this whole secondary Viennese school with Schoenberg, Berg and Webern? Are you listening to that music and what do you feel about it?" These were the conversations that he was having. And he also said, what he learned from Charlie Parker was, not that he studied with him in the formal sense, is that the first thing that Charlie Parker would always ask was, "Did you eat today?".
"Edward, Edward," he said with a patronising smile, "there are no unanswered questions of any relevance. Every question that we need to ask has been answered fully. If you can't find the correct answer then you are obviously asking the wrong question."
Edward: It wasn't the worst night of my life. Jake: Did it make the top ten? Edward: Possibly. But, if I had been able to take your place last night, it would not have made the top ten of the best nights of my life. Dream about that.
But in reading Shakespeare and in reading about Edward de Vere, it's quite apparent that when you read these works that whoever penned this body of work was firstly well-travelled, secondly a multi-linguist and thirdly someone who had an innate knowledge of the inner workings and the mechanisms of a very secret and paranoid Elizabethan court. Edward de Vere ticks those three boxes and many more. William of Stratford gave his wife a bed when he died [his second best bed].
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