A Quote by Stephenie Meyer
?Imprinting on someone is like... Like when you see her... Everything changes. All of a sudden, its not gravity holding you to the planet. It's her... Nothing else matters.
Quote Topics
Quote Author
Related Quotes
It’s not like love at first sight, really. It’s more like… gravity moves. When you see her, suddenly it’s not the earth holding you here anymore. She does. And nothing matters more than her. And you would do anything for her, be anything for her… You become whatever she needs you to be, whether that’s a protector, or a lover, or a friend, or a brother.
Holding Eleanor’s hand was like holding a butterfly. Or a heartbeat. Like holding something complete, and completely alive. As soon as he touched her, he wondered how he’d gone this long without doing it. He rubbed his thumb through her palm and up her fingers, and was aware of her every breath.
Let me explain it to you then. I just had a beautiful girl trust me enough to touch her and see her in a way no one else ever has. I got to hold her and watch her and feel her as she came apart in my arms. It was like nothing else I'd ever experienced. She was breathtaking and she was responding to me. She wanted me. I was the one making her spiral out of control.
A great commotion immobilized her in her center of gravity, planted her in her place, and her defensive will was demolished by the irresistible anxiety to discover what the orange bells and whistles and the invisible globes on the other side of death were like.
Everything vanishes, falls apart, doesn't it? Nature is always the same but nothing in her that appears to us lasts. Our art must render the thrill of her permanence, along with her elements, the appearance of all her changes. It must give us a taste of her Eternity.
He inhaled her scent, uncaring of the blood and dirt and grime that permeated her hair and clothing. He was holding her. Finally holding her. “You’re real. You’re real.” She pulled away, looked up at him, the same answering emotion shining in her blue eyes. With a groan, he lowered his mouth to hers. He couldn’t hold back. Nothing in the world would have kept him from kissing her in that moment. He was overcome.
She needs someone who will be everything for her: her friend, her boyfriend, her confidant, her lover and sometimes even her enemy.
I'm attracted to artists like Frida Kahlo, because her work was her life, her questions, her outrage, her suffering, her pain. Everything is in her work.
Moving between her thighs, he stretched out above her, then thrust into her. Once. Because, as he did everything, he acted without hesitation or apology to claim her entirely. Her eyes went wide and her breath caught. Holding her gaze, he pressed himself deeper, barely easing back before pressing deep again.
What's wrong with men?" Tenar inquired cautiously. As cautiously, lowering her voice, Moss replied, "I don't know, my dearie. I've thought on it. Often I've thought on it. The best I can say it is like this. A man's in his skin, see, like a nut in its shell." She held up her long, bent, wet fingers as if holding a walnut. "It's hard and strong, that shell, and it's all full of him. Full of grand man-meat, man-self. And that's all. That's all there is. It's all him and nothing else, inside.
He pulled away the glove, and at the first glimpse of her fragile, white hand, all thoughts of negotiation fled. "I don't see how matters could become worse," he muttered. "I am already besotted with a needle-tongued, conceited, provoking ape leader of a lady." Her head jerked up. "Besotted? You're nothing like it. Vengeful is more like it. Spiteful.
I didn't want my daughter to feel culturally isolated in the pursuit of her studies as I had as a young girl. I didn't want her to give up on her passions just because she didn't see anyone else like her in the classroom.
She had thought she was going to save her mother, and now there was going to be nothing for her to do but sit by her mother's bedside, hold her limp hand, and home someone else, somewhere else, would be able to do what she couldn't.
I watch her as she leaves. Everything about her is fluid as a river. Her messy hair, her xylophone voice, the strokes of her paintbrush. Even her camouflage army jacket hangs loose, flowing like ribbons.
She looks at the swings, and I can see she’s imagining what they’d look like if the kids weren’t there. The guilt of this holds her down momentarily. It appears to be there constantly. Never far away, despite her love for them. I realize that nothing belongs to her anymore and she belongs to everything.
If you saw her in these moments, you might think she was collecting her thoughts in order to go forward. But I see it another way: Her mind is being overwhelmed by two processes that must simultaneously proceed at full steam. One is to deal with and live in the present world. The other is to re-experience and mourn something that happened long ago. It is as though her lightness pulls her toward heaven, but the extra gravity around her keeps her earthbound.
Related Authors
Charles Bukowski Quotes
American
Novelist
Charles Dickens Quotes
English
Novelist
Chuck Palahniuk Quotes
American
Novelist
Ernest Hemingway Quotes
American
Novelist
F. Scott Fitzgerald Quotes
American
Novelist
George Eliot Quotes
British
Novelist
George Orwell Quotes
British
Novelist
George R. R. Martin Quotes
American
Novelist
Jane Austen Quotes
British
Novelist
Johann Wolfgang von Goethe Quotes
German
Novelist
Margaret Atwood Quotes
Canadian
Novelist
Nicholas Sparks Quotes
American
Novelist
Paulo Coelho Quotes
Brazilian
Novelist
Sarah Dessen Quotes
American
Novelist
Veronica Roth Quotes
American
Novelist
Victor Hugo Quotes
French
Novelist