A Quote by Stephenie Meyer
There’s something… strange about the way you two are together. The way he watches you — it’s so… protective. Like he’s about to throw himself in front of a bullet to save you or something.
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There was nothing particularly intimate about the way they sat, but something about the scene made Gansey feel strange, like he’d heard an unpleasant statement and later forgotten everything about the words but the way they had made him feel.
You'll also hear about the widening gap in the educated and the uneducated. The liberals will all say, "We must do something about it" and some in our population swoon, "Oh, yes, it's so unfair, and so unfortunate, and we've gotta do something about the inequality." So the Democrats then have their reason to do something about it, and the way they go about it is not trying to make people equal at all. The way they go about it is not even rooted in changing inequality, at the end of the day. The way they go about it is destructive for everybody.
The two of you, there's something uncanny about the way you two are with each other. I mean everything--the way you look at each other, the way she relaxes when you put your hand on her back, the way you both seem to know what the other is always thinking, it's always struck me as extraordinary. That's another reason I keep putting marriage off. I know I want something like what you two share, and I'm not sure I've found it yet. I'm not sure I ever will. And with love like that, they say anything's possible, right?
No matter how many times you've seen the movies and the TV shows that have a protagonist leaping in the path of a bullet, physics forbids such sacrifice. Because of a bullet's radical speed, you can't jump in front of it, but you could get in its way. It's not as dramatic, but it does save lives.
A lot of different people under the queer umbrella come together but Like there's something inherently queer about the heist genre, in some way. It's about just flying under the radar and procuring something furtively or, you know, that thing that is just so fun and high-stakes in the way that a lot of queer experiences are.
It was something... the way a person's life picked up speed, the way a life was like a bullet aimed at one final target, impossible to slow or turn aside, and like the bullet, you were ignorant of what you were going to hit, would never know anything except the rush and the impact.
Opportunities may come along for you to convert something -something that exists into something that didn't yet. That might be the beginning of it. Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It's not like you see songs approaching and invite them in. It's not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen. You have to know and understand something and then go past the vernacular.
If there's a strange way to do something, I would certainly like to know about it. I feel that I owe that to my public.
When something is discovered by people in movie theaters, it's discovered by people who are all together, and there's a sort of feeling of an event about it. And when it's on video, it's like something is being discovered in the library or something. It's like having a second life in public libraries. It's just like individuals, and it's less of a... We can't participate in it the same way.
If there's something you really love, something that you're excited to learn, something that you're energized when you hear about, speak about, or read about, that's where you want to throw your energy.
There's something strange about comedy requests. I guess if you enjoy something, why not hear it again? But there's something weird about it being live, when the person is there, and asking them, "Hey, do this thing like you did it, but make it seem like you're making it up on the spot.".
I used to be concerned about style, worried about my work looking like a bad copy of someone who's better than me. So my embracing of the research and finding a way to replicate something consciously rather than replicate something unconsciously seemed like a way to go to distinguish what I do.
Shame is something you'll find a lot of - particularly Catholic - girls feel about their bodies, about their sexuality, about their diet, about anything you like. Shame is the way you keep them down. That's the way to crush a girl.
'Brokeback Mountain' is a sad love story about two people who can't be together, and the reason that they can't be together is because being gay is a stigmatized thing. It would be interesting to have the same movie in which the two guys weren't in the closet and there was no shame about them being gay and they couldn't be together for other reasons. I still feel like we're a long way from that happening.
We all have a family, whether we like it or not; we all come from somewhere, and there's something strange in the way you have, with siblings, two or three personalities yoked together for life. You grow up thinking those family relationships are set in stone and then you get older and realize they're not. They're always shifting.
Spaces of liberation are, in a certain way, some kind of social spaces where people can not only get together and think about something else, but also act together. If you are thinking about an elemental solidarity, you are thinking about people acting together and taking decisions together, and thereby beginning to think about what sort of society they want to create. So, there is a need for liberated spaces; that is really difficult.
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