A Quote by Stephenie Meyer
That's the funny thing about knowing you can't have something. It makes you desperate.
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One of the things that is always difficult about a collaboration is that you don't necessarily find the same thing funny. And so the challenge becomes, how do you tell the other person that you don't think something's funny? The best collaborations tend to be when you are willing to be told that. But there's also ego involved, and so there's a lot of frustration in knowing that you're writing something, and the other person, on some level, needs to think that it's funny.
There's a difference between a sense of humor and a sense of funny. A sense of humor is knowing what makes you laugh and a sense of funny is knowing what makes other people laugh. The journey of comedy, in a sense, is negotiating those two worlds.
I remember reading in a comedy book very long ago when I first started, a person said there's a difference between a sense of humor and a sense of funny. A sense of humor is knowing what makes you laugh and a sense of funny is knowing what makes other people laugh. The journey of comedy, in a sense, is negotiating those two worlds.
What I love about comedy is that it's unquestionably working. There are varying degrees of that, where there's something that makes you smile and is funny versus something that makes you hysterically laugh.
If you think someone's trying too hard, that's the worst thing they can do. To me, it's just desperate, never funny and never witty. It's kind of really old hat because just being shocking isn't enough. It has to change how you think about something. It has to startle you. It has to make you look at something and reconsider whether you're right. That's the whole point.
Confidence, knowing for certain that the person making the call has your safety foremost in their mind. And knowing that the job you are about to take on is the right thing to do, that it makes sense.
Football is based on desperation. All clubs are desperate in one form or another - desperate to succeed, desperate to survive, desperate to stay where they are, desperate that things get no worse, desperate to arrest the slide.
I think my general disposition on life is finding what's funny about it. When something happens, the first thing in my mind is, "What's funny about it?"
I don't know, I feel desperate when I sing. And I look desperate - it feels like I'm singing for my life, which makes me twitch, if that makes sense.
The first thing you start with when you're trying to write something funny is it has to - it really has to come to you first. I has to be an idea that you have that first makes you laugh, that strikes you as funny.
The self-assured strength that grows from knowing that we already have what we need makes us gentle, because we are no longer desperate.
The only thing I know that makes me feel comfortable is to know as much as I can. Not like what the shots are going to be, but knowing enough about my character that I can forget those things. And more specifically, my lines. I have to know my lines. I have to know something really well, so I can forget it when we're doing it. And there is comfort in knowing, "Okay, there's not another stone that I could have overturned."
Cleverness is like rouge - liberal application makes a woman look common and desperate. Wit is knowing how to apply it.
The thing that makes me feel most alive is knowing that there's something that I have to do that I'm afraid of.
The hardest thing for me to do, and the best thing I've done and learned as an actor is to sacrifice being funny in certain circumstances in order to do something that makes sense for the story or the character, or emotionally.
That word 'funny' always makes me feel uncomfortable. Because if I were trying to be funny, I would be something like Bill Wegman - he really tries to be funny. I don't try to be funny. It's just that I feel the world is a little bit absurd and off-kilter, and I'm sort of reporting.
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