A Quote by Stephenie Meyer
The way you move — you orient yourself around him without even thinking about it. When he moves, even a little bit, you adjust your position at the same time. Like magnets… or gravity. You’re like a… satellite, or something.
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I'll just immediately automatically, without even thinking, check my phone. And it feels like the same little bit of my brain is being - the synapses are lighting up when I do that.
The weird thing about having your birthday on a school day is that by the time you get to be ten, or eleven for sure, no one at school knows it's your birthday anymore. It's not like when you're little and your mom brings cupcakes for the whole class. But even though no one knows, you walk around like it's supposed to be a national holiday. You walk around thinking that people are supposed to be nice to you, like maybe on your birthday you're ten times more breakable than on any other day. Well, it doesn't work that way. It just doesn't.
Music to me is a way of communicating without words.I think music is second to only smell in its ability to transport you without you wanting to be transported. Like if you smell your ex boyfriend's cologne. Like somewhere in public you sort of flinch and look over your shoulder. You wonder if that person is around. Same thing happens with music. It's really influenced my life a lot, even in times when I didn't want it too. A song will affect you in such a cheesy corny way, but you are affected so deeply in the moment despite yourself.
I hate the way you talk to me, and the way you cut your hair. I hate the way you drive my car. I hate it when you stare. I hate your big dumb combat boots, and the way you read my mind. I hate you so much it makes me sick; it even makes me rhyme. I hate it, I hate the way you're always right. I hate it when you lie. I hate it when you make me laugh, even worse when you make me cry. I hate it when you're not around, and the fact that you didn't call. But mostly I hate the way I don't hate you. Not even close, not even a little bit, not even at all.
When someone new comes on and has their first nude scene - and even if it's not full nudity - it's always a weird, awkward setup. We have these famous merkins which are sort of toupees for your delicate areas to make it look like you're naked but cover you up a little bit. But we joke around a little bit with the newbies who are trying that stuff on for the first time.
Sometimes, I don't like making emotions your career; something about it is kind of gross. But, at the same time, I want to move people the same way the songs make me feel.
Nolan has the strangest affect on people. You know, I think there's something very sad and little boy about him, but at the same time the way he goes about everything is so awkward and obnoxious. He can never say the right thing, you know? And I think if he just didn't try so hard and calmed down, people might actually like him a bit more!
I don't expect everybody to like me. If you try to please everybody, by changing your position and your personality, every time you do that you lose a little bit of yourself.
Another thing that I like and that's fun for me is to try and talk and play music at the same time, because I feel like I'm learning something. There are these little challenges built into it; it's a way to push myself a little bit more as a performer.
I still feel like I've got a lot of great football in front of me and the way that I've taken care of myself better the last few years. I think is going to put me in position to be able to play really well late in my 30s and even in my early 40s, possibly, if they'd like to keep me around that long and I can still play a little bit.
In the West, we look at art through life. Well, that's one way of living. In the Orient they look at life through art. They even drink their tea without sugar, for the same reason that they don't like a lot of frilly decorations on a painting. I can't stand butter on my bread for the same reason. I'm allergic to goo and rococo.
The people at the very top could fall by and grace you with their presence and give you a little largesse, and you'd be "Oh, I'm so beloved." In a way, it was kind of like flattery. The middle managers didn't quite have that cachet, but at the same time, they had to seem like they were of that caliber. So there's a little bit of loneliness at the heart of those with a little bit of power.
When a woman makes the choice to marry, to have children; in one way her life begins but in another way it stops. You build a life of details. You become a mother, a wife and you stop and stay steady so that your children can move. And when they leave they take your life of details with them. And then you're expected move again only you don't remember what moves you because no-one has asked in so long. Not even yourself.
Everything takes time... and that's something that your generation find it a lot harder to adjust to. You have all grown up expecting things to go your way almost instantaneously. You all expect to live the lives you chose. Especially a successful young man like yourself. But it takes time.
There are a lot of people that have marginal powers, like a guy who levitates a little bit off the ground, or someone who can breathe a little bit of fire, or someone that can freeze a little bit of something, if it's really close to him, you say, "Well, what do you do with that? How is that useful?" There is so much of it around you and you're seeing it, it becomes the important thing in society.
Thinking about time travel may seem like something humans have been doing since the first caveman dropped the first rock on his foot. But, even to begin to imagine the possibility of time travel, your mind must be able to wrap itself around the notion of a past and a future.
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