A Quote by Stephenie Meyer
Sometimes, there isn't any way to compromise." - Eclipse, page 607
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If you're outside the path of totality eclipse, if there's any way you can get into the path of totality for the eclipse, do it. Take the day off. Take the kids out of school. This is a once-in-a-lifetime opportunity for most people to see a total eclipse, and it is one of the grandest sights in all of nature. It's something you'll always remember, and you'll pass stories of it onto your grandchildren.
Sometimes compromise is important. Sometimes it's better to give in to someone else's wishes in order to have fun as a group or as a couple, or for the benefit of the team. Sometimes compromise is dangerous. We need to guard against compromising our standards to gain the approval or love of someone else. Decide when you can, and when you cannot, compromise. If it's not harmful and you are ambivalent about a decision, then compromise. If it could lead to breaking your values, compromise isn't a good idea.
You are wrong if you think that you can in any way take the vision and tame it to the page. The page is jealous and tyrannical; the page is made of time and matter; the page always wins.
There's no way to oversell how spectacular and incredible seeing a total eclipse is. A lot of people think they've seen an eclipse. They think they've seen a partial solar eclipse - even if they've seen a 99 percent partial, it pales in comparison to seeing a complete, 100 percent total eclipse of the sun.
Once you compromise yourself in one way, you compromise yourself in another way. And you've just opened the door to compromise, mediocrity, settling.
The first total eclipse that I witnessed was in 1970. I was an amateur astronomer. But after I saw the total eclipse, it couldn't be a once-in-a-lifetime experience, because it was too spectacular. I needed another eclipse fix, because I got hooked on the shadow.
How easy it must be when you had no secrets from the person you lived with." - Eclipse, page 208
I have to say when a man lives for himself, it's hard to live with him. That's pretty much the story of all my divorces. I've been making records since I was 22 and done things my way, and it's hard for me to compromise. And of course, to have a successful relationship, one has to compromise. Sometimes I'm not good at it.
Sometimes you have to say the words exactly how they are on the page, but sometimes when you improv, it only helps to get across what's on the page, and I just love working with directors who allow that.
Filming 'Eclipse' - Eclipse was my favorite book so I was really excited to start filming the movie. I just love that it's the height of the love triangle. 'Twilight' develops Edward and Bella's relationship, 'New Moon' develops Jacob and Bella's and in 'Eclipse,' the three of them are physically together.
If you do it first class and you don't compromise values, and you don't compromise quality, and you don't compromise service, and you don't compromise cleanliness, then everybody else who is the competitor has got to play catch-up.
Eclipse of the light of heaven, eclipse of God - such indeed is the character of the historic hour through which the world is now passing
When I say compromise I do not mean capitulation. When I say compromise I definitely do not mean what Jesus Christ meant when he offered us to turn our other cheek to our enemies. Compromise means, try to meet the other somewhere half-way. And, this can only happen if the other is willing to go half-way in order to meet you. That is the very strict line between compromise and capitulation.
Sometimes I have to compromise my views, but I never compromise on issues like the death penalty and the arm trade laws, despite what the readers or letters may say.
Writing a screenplay needs to be more than words on a page - and by the way, I think the words on the page are something you have to try to execute on the highest level you can; I'm not dismissing that by any regard.
And sometimes then he sat with us for an hour or so, sharing our limbo, listening while I read. Books from any shelf, opened at any page, in which I would start and finish anywhere, mid-sentence sometimes. Wuthering Heights ran into Emma, which gave way to The Eustace Diamonds, which faded into Hard Times, which ceded to The Woman in White. Fragments. It didn't matter. Art, its completeness, its formedness, its finishedness, had no power to console. Words, on the other hand, were a lifeline.
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