A Quote by Stephenie Meyer

Charlie took my hand and, in a symbol as old as the world, placed it in Edward’s. I touched the cool miracle of his skin, and I was home. — © Stephenie Meyer
Charlie took my hand and, in a symbol as old as the world, placed it in Edward’s. I touched the cool miracle of his skin, and I was home.
Of course, I still saw Edward at school, because there wasn't anything Charlie [her dad] could do about that. And then, Edward spent almost every night in my room, too, but Charlie wasn't precisely aware of that. Edward's ability to climb easily and silently through my second-story window was almost as useful as his ability to read Charlie's mind.
Edward stretched out his arm, his hand curled into a fist. Seth grinned, revealing the long row of dagger teeth, and bumped his nose against Edward's hand. "Nice teamwork," Edward murmured.
War is all we've been taught, but there are other ways to live. We can find them, Akiva. We can invent them. This is the beginning, here." She touched his chest and felt a rush of love for the heart that moved his blood, for his smooth skin and his scars and his unsoldierly tenderness. She took his hand and pressed it to her breast and said, "We are the beginning.
Simon stopped breathing until her forefinger touched his nipple, and then his hand shot up to cover hers. "I want you," he said. Her eyes flicked downward, and her lips curved ever so slightly. "I know." "No," he groaned, pulling her closer. "I want to be in your heart. I want-" His entire body shuddered when their skin touched. "I want to be in your soul.
I tensed for the spring, my eyes squinting as I cringed away, and the sound of Edward's furious roar echoed distantly in the back of my head. His name burst through all the walls I'd built to contain it. Edward, Edward, Edward. I was going to die. It shouldn't matter if I thought of him now. Edward, I love you.
A man touched me: his hand... my thigh. I touched him too: my fist... his jaw.
Cinema is a little over 100 years old, and a lot of what we do is built around film emulsion. Those things were calibrated for white skin. We've always placed powder on skin to dull the light. But my memory of growing up in Miami is this moist, beautiful black skin.
Gently, I ran my hand across his chest, exploring it. My breath felt tight in my throat. He was so beautiful. His muscles were toned, defined, his skin warm and smooth. Stroking my palm up over the line of his collarbone, I felt the firmness of his shoulder, the strength of his bicep. I traced my fingers over the black AK, following the lines of the letters. Alex hardly moved as I touched him, his eyes never leaving me. Finally I sighed and dropped my hand. I tried to smile. "I've sort of been wanting to do that ever since that first night in the motel room," I admitted.
I stepped closer to him and lowered my voice. 'If you could change one thing, what would it be?' He pulled the sheep pendant from his pocket. A question filled his eyes. I held out my hand. Riley placed it in my palm and I curled my finger around the necklace, pressing the metal into my skin.
When I was 10 years old, a cousin of mine took me on a tour of his medical school. And as a special treat, he took me to the pathology lab and took a real human brain out of the jar and placed it in my hands. And there it was, the seat of human consciousness, the powerhouse of the human body, sitting in my hands.
I discovered the 7th art at home when I was kid, through Charlie Chaplin's movies and those of my father who shot documentaries. He was my biggest influence. So I took his camera and started shooting.
In answer, she took his hand and placed it on her chest. Right over her heart. 'You're in, Cade Morgan. Only you.
It was like I saw your soul in the notes of the music. And it was beautiful." She leaned forward and touched his face lightly, the smooth skin over his hard cheekbone, his hair like feathers against the back of her hand. "I saw rivers, boats like flowers, all the colors of the night sky.
He raised his hand, hesitant, conflict raging in his eyes, and then swiftly brushed the length of my cheekbone with his fingertips. His skin was as icy as ever, but the trail his fingers left on my skin was alarmingly warm - like I'd been burned, but didn't feel the pain of it yet.
The artist constructs a new symbol with his brush. This symbol is not a recognizable form of anything which is already finished, already made, already existing in the world - it is a symbol of a new world, which is being built upon and which exists by way of people.
She gently placed his hand against the beating pulse of her heart. Always, always it beat out of control, and he held his hand to it until he felt it perfectly match his.
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