A Quote by Stephenie Meyer

I'm really glad I did not tattoo on my body 'cause I don't want them. So, permanence is a very scary thing to me, along with things that don't change at all. — © Stephenie Meyer
I'm really glad I did not tattoo on my body 'cause I don't want them. So, permanence is a very scary thing to me, along with things that don't change at all.
Everybody in the family decided to get a tattoo each as a sign of togetherness and pestered me to get one. You have to be with the times, and I'm glad my tattoo isn't scary or anything.
The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
Most of the time you don't even know they're there. Now, that's the scary thing. It's really strange and invading, but I'm still working it all out. I try to not let it bother me. And if I want to swim naked in my pool, I'm still going to do it. I certainly don't want to feel that I have to change everything in my life that I do to cater to them. I just won't let it happen.
What is the difference between a living thing and a dead thing? In the medical world, a clinical definition of death is a body that does not change. Change is life. Stagnation is death. If you don't change, you die. It's that simple. It's that scary.
Motherhood is this sort of "curtain lifting" of tremendous power that we have individually as women. It's tremendously freaky to have a human being grow inside your body and eventually turn into a human being, and then birth that human being, and then have them be separate from you. Those things are scary. It's also really, really scary to face the idea of losing a child and losing someone you love more than you've loved anything before. All of those things are innately really terrifying, and what it does to me is bring me to a direct kind of confrontation with my human vulnerability.
I feel like I've always had two selves - the part of me that makes films and the part of me that's political, and they haven't really connected that much. Alias Grace talks about things like class and immigration and women's rights, which felt really good. But especially now, there are pressing things to be said. It's a really scary time in the world. It's a very scary thing to have an American president who openly brags about assaulting women and is openly racist. This isn't a moment to be speaking in metaphors.
I'm very glad my mother didn't let me quit piano lessons at age 10. She said I wasn't old enough or good enough to make that decision, and she was right. I remember at the time I was shocked. I did not like that my mother said those things to me. But when I got a chance to play with Yo-Yo Ma or more recently with Aretha Franklin, I thought, I'm really glad she said what she did.
If the theatre has taught me anything, it's that when things change in the body, in the body politic, in the body of the world, in the body of the earth, in the body of the person, there's change. You never go back.
I'm a big believer in doing everything you can and everything in your power to change the outcome. But health is one of those things you can't control, and it's a very scary thing for me.
Tough women who don't take sh*t are also put in positions that are really scary for them. It's important that they feel supported, but it's also important that we allow people to come to things on their own time. It's a very scary thing when you're a woman who's been assaulted or harassed to come forward. And it takes a lot of courage.
I'm just glad when I was fighting for us to wrestle I would always have people tell me, 'Gail, women's wrestling is for the bathroom breaks, you know they really don't want to see it.' I would get discouraged a little bit but I was very adamant, so I'm glad that we girls proved them wrong.
I'm very glad I've got a make-up artist. I have trouble going to school when I've got bad spots and things like that so I still don't understand how I got up in front of a camera and did it. I almost had a moment of madness every time I did that. It's difficult and it's scary and you hope that people won't be looking at your flaws, especially when you're in 3D as well.
While it's really hard to do, at the same time, I'm escaping my body, which I really want to do. I'm living someone else's life. I get very intensely into the story, into the interviews and the research. I'm experiencing things along with my subjects. I have a freedom I don't have in my physical life
While it's really hard to do, at the same time, I'm escaping my body, which I really want to do. I'm living someone else's life. I get very intensely into the story, into the interviews and the research. I'm experiencing things along with my subjects. I have a freedom I don't have in my physical life.
You put a tattoo on yourself with the knowledge that this body is yours to have and enjoy while you're here. You have fun with it, and nobody else can control (supposedly) what you do with it. That's why tattooing is such a big thing in prison: it's an expression of freedom—one of the only expressions of freedom there. They can lock you down, control everything, but 'I've got my mind, and I can tattoo my body—alter it my way as an act of personal will.'
I make paintings really slowly because I change them and change them and change them and change them and change them. I don't really know how to not do that. I'm not very free in a way. Even though it looks free. But it's not.
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