A Quote by Stephenie Meyer
As far as expense, I think if 'Twilight' does well enough, then we should be able to do the big expensive stuff for the sequels. I mean, we have to have werewolves, there's no way around it. They have to be there.
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If I have enough money to support myself, I'll just give stuff away. I just, I want people to see it and I want to be able to do this for a living, you know what I mean? So it's just a balance. If I'm not doing well for five years, then I'm selling stuff, but if I'm doing well and I can afford to give stuff away, I'll always do that.
Though I have to admit, I had a good laugh when I realized you thought I was a bloodsucker." He smiles. "Oh, well excuse me. I mean since there are immortals running around, I figure we may as well bring on the faeries, wizards, werewolves, and—" I shake my head. "I mean jeez, you talk about all this like it's normal!
I mean I think that when you've got a big brain, when you find yourself planted in a world with a brain big enough to understand quite a lot of what you see around you, but not everything, you naturally fall to thinking about the deep mysteries. Where do we come from? Where does the world come from? Where does the universe come from?
I'm quick enough to hang with guards and big enough post them up, then when they stick a big man on me, I'm able to use my quickness to go around them.
I hate the idea of sequels. I think you should be able to do it in one book.
Once you really understand your role... that's why I think actors get lost in a series. Everybody wants to be the quarterback or the game-winning wide receiver. I've been around long enough and done enough stuff to where I don't feel that way. I just want to do what I do as well as possible.
My guess is the big Chinese banks will be in 100?countries by then. They will have very sophisticated operations, and they may very well have bought banks around the world in countries that allow it. I mean, I don't think the American government would allow them to buy JPMorgan. But they will be able to buy a sizable big bank in the U.S. at some point. Whether they do or not, or if it's allowed or not, I don't know.
I don't think we have enough imaginary creatures in cinema. It seems like we're stuck with zombies, vampires, and werewolves. We should have everything. We should have minotaurs. We should have elves. We should have mermen in popular culture. But instead we've stuck with vampires.
When you start using more expensive cameras, everything around it gets more expensive, which is something we hadn't necessarily taken into account beforehand. Your lighting package gets way more expensive, and then coloring it is going to be more expensive. So I think all of that will essentially be cushioning our camera package. Budgets beget budgets, and expenses beget expenses.
A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you. So it does sometimes turn into a situation where you're saying to the person you're working with, "Well, what do you want?" But then there are other times when I work with people and they'll turn to me and say, "How do you want to do this?" And that's actually when I work best.
I don't really need new stuff anyway. I like to make big stuff, and it's too expensive to travel with. So I have my refined set that works well, and I'm pretty much set with that.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for, in a way. They wanted it to be something special. None of us were really known then, as well. It felt like a big deal, at the time.
The older I get, the less I know. By that I mean the less I am sure of. I view people with strong opinions on the big stuff with distrust. I don't think we should have certain certainties on faith and politics; I think we should be open-minded.
Teenagers are very dark, I think. That's all the goth and emo stuff. They're experiencing a lot of stuff that adults experience, but in a much more raw way. It's that extremity that I'm interested in, to be able to go down so far and come up so quickly.
Monopolies are not justified by theory; they should be permitted only when justified by facts. If there is no solid basis for extending a certain monopoly protection, then we should not extend that protection. This does not mean that every copyright must prove its value initially. That would be a far too cumbersome system of control. But it does mean that every system or category of copyright or patent should prove its worth. Before the monopoly should be permitted, there must be reason to believe it will do some good -- for society, and not just for monopoly holders.
I'm all for poetry catching up with technology, and just as there are iTunes, I think we should have iPoems. I mean, people should be able to walk around with their earbuds in and listening to poems on their iPod.
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