A Quote by Stephon Marbury

When you look at organizations that work, everyone is on the same page as far as what they are doing. — © Stephon Marbury
When you look at organizations that work, everyone is on the same page as far as what they are doing.
Sharing the same vision for what's on the page is always a good idea. The director's job is to establish what that is and make sure that everyone sticks to it when it comes down to actually executing it. Establishing what the vision is and being able to stick to it is the job, and everyone should be on the same page going in.
It's a simple and an effective way of getting everyone on the same page, prepared and paying attention to the gag. People just get into that frame of mind of you doing impressions. It can take a minute or two for an audience to catch on when you aren't doing one.
You shouldn't marry unless the both of you are on the same page on a lot of things. Life is going to deal you blows, and you have to be together. Your values and priorities have to be on the same page; otherwise, it won't work.
I'm not doing no more 'Flavor of Loves.' I'm trying to grow. I don't want to stay on the same page. You can't stay on the same page in order to get to the next chap.
America can't work for only some people and become a dream for all people. It has to work for everyone. And even though everyone might not end up at the same place, if everyone starts with the same beginning, then that's the dream fulfilled. We all don't have the same abilities, but we should have the same opportunities.
I think when you work enough on your doing freelance stuff on other films, you start to feel what it feels like to work with people who are not totally on the same page as you.
The work I have done in private practice has been assisting companies and organizations to work with an incredibly complex federal government. I'm proud of the impact I've had for these organizations, including organizations here in Pinellas County.
Immigration is by far the most controversial yet least understood issue in America. Frankly, given the way we're talking about immigration, given the emphasis, the overemphasis on border security, I would argue that we're not on the same page when we debate this issue. We're doing far too much debating and not enough conversing.
People often assume that the same approach will work for everyone, that the same habits will work for everyone, and that everyone has the same aptitude and appetite for forming habits, but from my observation, that's not true.
So the programs all start to all look the same. I watched one free skating competition, and I thought I was watching a short program. Everyone was doing exactly the same elements.
We [with Frank Moore Cross] have the same fervor, the same passion when in front of us is a page, a unique page - every page is unique - of the Pentateuch.
It doesn't matter how big the stage is. If all 11 guys are on the same page and we believe in what we're doing and we execute it, then plays are going to work. It's really as simple as that.
One of the more popular activities was “Talk-O-Matic”. Five people at a time could write messages, and read each other's messages, on the same screen. Today, Internet chat rooms work on the same principle. One of the remarkable new features of this page was that you could log in with an invented name, and pretend you were anyone you wanted - any name, any age, any gender. One favorite trick was to log in using the name of someone else already logged into the page, simply to confuse everyone else.
If you look at the New York Times, it says X; if you look at the Washington Post, it says the same thing. And if you turn on any television newscast it's the same thing you already heard, that's research. And that's one of the ways it's done. Authority ends up being imputed simply because of volume. I mean, all of these different news organizations reporting the exact same thing.
Whether it's a lower or higher budget project, a TV show or a film, the words on the page are the same to me and I approach the work in the same way. My job is to lift the character from the page, whether it's a TV or film script.
I've come to look upon death the same way I look upon root-canal work. Everyone else seems to get through it all right, so it couldn't be too difficult for me.
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