A Quote by Sterling Hayden
If you stop to think, the only films that don't include at least one punch in -the jaw are musical comedies. And even then some of those villains get brained in the middle of an aria.
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As an actor I get opportunities to do different kind of films. It's not that if I have done a few comedies, I'm averse to other roles or genres. It's just that I go for the films I like and incidentally some of them have been comedies.
You win some, you lose some. You get hit you don't get hit, but it's not about how hard you get hit. I think it's about how hard you get hit, then still get up and deliver an even harder punch. I think that's what it is all about.
I think musicians should stay off television generally. I get asked all the time. Those shows are just promoting insipid comedies. Who watches those shows? And whoever does I don't think my music would speak to those people. I don't even want those people to hear what I'm doing.
With music, you're laying it all out there. They're judging you right away, and you can lose them quick. With the comedy, you've always got another joke to redeem yourself. Or, even if you've only got one joke, at least the punch line is at the end. Then they have to at least pay attention until the end.
I actually love Scorsese comedies. He's an underrated comedy director. I think his comedies are some of the best comedies ever made.
I think the best romantic comedies don't have villains.
There are some characters in 'The Names' who are very much heroes and others who can only be called villains. But generally, as we get to know them, we see most of the characters are, or at least become, quite nuanced.
It's difficult to make the interesting feature films that don't fit easily into a genre, even on modest budgets. It's tough to get those films made, but I'd rather try to get those films made than compromise too much.
I think all great comedies - or at least the comedies I like - it has some of the funniest moments, but it never breaks the spell for the audience. It never pushes the audience away by spoofing itself too much or undermining the characters or making them cardboard or flimsy. Everybody is really trying to do what their characters believe in - and so nobody breaks the spell of the world, even though in other ways it's a comedy and very funny.
The [media] coverage is always, "Will [Democrats] get it? Will they get what they want?" And, really, it's even worse than that. It's not, "Will they get it?" It's "How soon will they get it, and what are the villains gonna do to try to stop them from getting it?"
I wrote, I think, half a dozen films that were completely out of genre. Comedies, love stories, even one serious film about Vietnam, and we couldn't get backing for any of it. And we both sort of drifted from making, at that time, serious money on Last House to going through it all in the course of almost three years and only getting offers to do something scary again.
I would say this, I'll go back to those black ladies I was talking about who love them some Barack and love Michelle even more - and by the way, they are not middle-aged anymore, because I'm now middle-aged. So they're a little bit older. As fervent as they were, as excited and happy as they were when I was elected, they had to go to work the next morning. They still had trouble paying those bills. They might have still had a son who was in trouble with the law or couldn't get a job because of a felony record. They didn't stop being grounded.
If I get the forty additional years statisticians say are likely coming to me, I could fit in at least one, maybe two new lifetimes. Sad that only one of those lifetimes can include being the mother of young children.
In a business that has exploited and ignored our people I have only found dead-ends. We need romantic comedies, gross-out and mockery comedies, horror and thrillers, teen movies and love-stories. All these and more will be a positive step towards the future of Native Americans in the world and film industry; an industry that that offers us not only the chance to play the parts of heroes, love interests and warriors, but also of villains, dorks and dangerous, brokenhearted products of circumstance.
People aren't stupid. People wanna see good movies, especially comedies. Those by the books comedies, I don't get it. Who likes those? Nobody likes those.
If you really want to communicate something, even if it’s just an emotion or an attitude, let alone an idea, the least effective and least enjoyable way is directly. It only goes in about an inch. But if you can get people to the point where they have to think a moment what it is you’re getting at, and then discover it, the thrill of discovery goes right through the heart.
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