A Quote by Sterling Hayden
When I was a kid and getting paid to stand in front of a camera. I used to spend a lot of my time just laughing inside about the whole thing. It wasn't real to me. I couldn't act and I damn well knew it. I kept expecting someone to see the joke and call the whole thing off at any moment. Fortunately, no one ever did.
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Acid wasn't getting a whole lot of bad press at the time, and as I saw the whole bad-press thing happen, I became aware that the government had done a whole lie on all the other benign drugs as well. It became clear to me that the government wanted no real drug education.
I think when you leave a band in any situation that you are a part of.. I mean, when I was with It Bites I was a quarter of something, and when I was with Robert Plant I was a sixth of some- thing and when you leave you become the whole thing. So just after you spend time realizing what you are, and it just happened that I was doing that in my life as well as musically, it kind of happened at the same time. I was getting to a point in my life where I was beginning to realize who I am, and I like me.
This whole thing that's happened to me, you see, this whole success thing..it hasn't yet really compromised the position that I took a long time ago in Texas, that was to be true to myself, to be the person that I...that was on inside of me and not play games.
Sometimes a guy is going to get you here and there, you compete. He is getting paid just like you're getting paid, and he is a competitor just like you are. But if a guy can just stop me a whole game by himself, and I can't do nothing about it or I'm fatiguing or I'm not strong throughout the whole game, then it's time for me to hang them up.
I think George just nailed the whole thing, the whole time period, the whole look and feel of what that newsroom was like. I did a lot of research for the role and believe me, it's all pretty genuine, down to the very last cigarette butt.
So I just took some time off. I was maybe going to do two or three years and it turned into five years. But certainly, I'd say it was the best thing I ever did. And now I come back to this whole thing really energized about it.
The thing about 'Veep' is that you never really know where the camera's going to be. So you're not really just saying your line and then just watching it: you're trying to act the whole time just in case the camera is watching you.
We singer-songwriter people, we're used to getting up and doing our own thing in front of people, and we're it. We're the band, artist, writer, producer, front man. We're the whole thing. You develop, it's not smugness, but this self-reliance, that can limit your creativity. When you're willing and able to invite others into it, you wind up getting a piece of work that's bigger and better than anything you ever imagined it could be.
You go to any town, any city, any state in America and there's always a McDonald's. In a lot of places around the world, it's almost the same thing. And Nikki Giovanni was like, "Damn, where are we keeping all these cows?" And it made me think to myself, like, "Damn, where are we keeping all these cows?!" It makes me think that the beef we're eating isn't even close to being real. There can't even be enough cows in the whole world just to sustain the appetites of just Americans! I'll always remember that.
I think one of my favorite pieces I've ever done on the show which was about Hezbollah Israel conflict in 2006 and it was very pointed. It was a beautifully crafted piece of satire and it's a weird thing to say but it had a joke in there about 9/11 and I remember the audience sort of laughing but also kind of not knowing how to respond to that joke and it was just so - and I remember the tension after we did this joke on the air and there was this palpable gasp in the audience, but they were also laughing. And I thought oh, wow, that is something that is not being said in the Zeitgeist.
Fortunately, I don't spend too much time reading or worrying about what people have to say, but the goal for me throughout this whole process - throughout my whole life - is to try to be happy.
When you are interviewing someone, never let your camera person turn off the camera. The second you turn off the camera, they'll say the magic thing that you'd been looking for the whole interview. People want to relax after the performance is done. Don't be afraid of awkward silence. That is your friend.
No one understood why I would wanna be behind the camera, not in front of the camera, and so no one took me seriously, and people said, 'Oh, well, this is just a hobby isn't it?' and I said, 'No, I really love this. I wanna make this my career,' and I did not have a lot of support at all for many years. People just kind of thought it was a joke.
So you want to hear a story? Well, I used to know a whole lot of pretty interesting ones. Some of them so funny you'd laugh yourself unconscious, others so terrible you'd never want to repeat them. But I can't remember any of those. So I'll just tell you about the time I found that lost thing.
I knew at the time my haircut was pretty damn god-awful, so I was just hoping that I wasn't one of the joke ones. And they put me through to Hollywood and I thought, "Well okay, maybe I'm still one of the joke ones but at least I'm not terrible?"
The really cool thing about festivals is that you're getting to play in front of a whole lot of people who have never heard of us before. That's exciting. At the same time, it's a little bit of a challenge to capture the attention of people who have already seen a lot of bands.
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