A Quote by Sterling Hayden

I don't call myself a writer, much as I'd love to be. An author, maybe - the novel 'Voyage' made $870,000. Writer, no. Nor am I an actor. I was never on the stage. — © Sterling Hayden
I don't call myself a writer, much as I'd love to be. An author, maybe - the novel 'Voyage' made $870,000. Writer, no. Nor am I an actor. I was never on the stage.
I majored in journalism at Arizona State University, where I began writing the columns I write now, but I cannot, in good conscience, refer to myself as a writer. I'm a columnist, maybe a journalist, I guess I'm an author, but writer... no. That's not up to me to call myself, that's rather lofty. It's for the reader to decide.
It is difficult to call myself a writer, even when I stand at a podium to receive a prize, I feel uncomfortable calling myself a writer—I am merely a word criminal.
I am almost six-novels-old. It took me until the third novel to call myself a writer.
I am neither an Occidental writer nor a Russian writer. I am an accidental writer.
I'm a writer. I'm moonlighting on television. I never made any pretensions to that. As much as I like being on 'Real Sports,' I have been a writer since I was a little boy, and that's still my first love.
I feel much more comfortable as a writer than an actor. I feel like I am a much better writer than I am an actor.
Often, you have to fail as a writer before you write that bestselling novel or ground-breaking memoir. If you're failing as a writer - which it definitely feels like when you're struggling to write regularly or can't seem to earn a living as a freelance writer - maybe you need to take a long-term perspective.
The writer is a spiritual anarchist, as in the depth of his soul every man is. He is discontented with everything and everybody. The writer is everybody's best friend and only true enemy-the good and great enemy. He neither walks with the multitude nor cheers with them. The writer who is a writer is a rebel who never stops
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
I am not a pure fiction writer, nor am I an academic writer. Somehow I ended up in this blended area of literary journalism.
Of course I'm a black writer... I'm not just a black writer, but categories like black writer, woman writer and Latin American writer aren't marginal anymore. We have to acknowledge that the thing we call "literature" is more pluralistic now, just as society ought to be. The melting pot never worked. We ought to be able to accept on equal terms everybody from the Hasidim to Walter Lippmann, from the Rastafarians to Ralph Bunche.
One of the ironies of being a professional writer is that, if you are even moderately successful, the very traits that let you succeed as a writer are not much help when the time comes to head out as 'The Author.'
I am a gay writer, but I am also a Scottish writer and some days a lazy writer, or a funny writer. Being gay is just a part of who I am.
I see the author as the person who has written; the writer, the one involved in the process of writing. And they're not necessarily friends. The writer is the one I want to reinforce; the author would just feed on the reviews - so I'm in favour of starving him.
The public figure of the writer, the writer-character, the 'personality-cult' of the author, are all becoming for me more and more intolerable in others, and consequently in myself.
If you don't put 99 percent of yourself into the writing, there will be no publishing career. There's the writer and there's the author. The author - you don't ever think about the author. Just think about the writer. So my advice would be, find a way to not care - easier said than done.
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