A Quote by Sterling K. Brown
I go to Stanford, and I'm an economics major, not thinking I'm going to do anything with acting. A professor came to the dorm where I lived looking for people to audition for an August Wilson play, 'Joe Turner's Come And Gone.' I gave it a shot, got one of the lead roles in the play.
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It's one of the best feelings in the world to hit the quarterback like that, hear the crowd go crazy, and then to watch it on film. You look forward to those types of plays. The best part about it is that you never know when it's going to come. Every play you've got to go hard and every play you've got to think and believe that you're going to get that quarterback sack. If you don't get it that play it might be the next play so you've always got to be thinking about it, and when it comes, it's the best.
I had listened to Joe Turner. When they'd book Joe there, I'd play the blues behind him.
I like the character roles. Somewhere back there I really came to the conclusion in my mind that the difference between acting and stardom was major. And that if you become a star, people are going to go to see you. If you remain an actor, they're going to go and see the story you're in.
In high school, I did some musicals, but I never took acting until college. I was studying opera, classical voice, and a speech teacher asked me to audition for this play, and I got the lead.
If you go to Wall Street, there is someone from Harvard, Stanford, etc, who relate to each other by the batch they studied in, the dorm they lived in, and so on.
Improvisation is a great mystery. You play something, and you play an answer to it. Then you play something to wrap it up. Nothing is going through your mind; you're not thinking of anything. Every now and then you surprise yourself. Where did that come from?
Paul Schofield said something like, 'If I'm not acting in a play, I don't really exist.' Those weren't the exact words, but he meant it's only when I'm acting in a play that I've got something to say about the world. And then why should I talk, when people can come to see it?
The stuff I did in 'Rescue Me' was great. It gave me the opportunity to play comedy, and Denis Leary was the first one to take a chance with me. And from that experience, we had a comedy pilot that we did that I was going to play the lead in. And then 'Person of Interest' came along. They're all new experiences.
Don't play an attitude; don't play a guy who's negative. Play a guy who's not trying to sell anybody on anything, he's just saying how it is and if you want to come by what he's thinking, you're welcome. If you do not, then do not.
When I decided that I might want to do acting for a living - I don't know where it really came from, since there was no school play or any of that - my mom gave me her blessing. I had to get a scholarship - that was the only way I could have gone to drama school.
I'm very much looking forward to my 30-40 years of acting, and, as I get older, I'm really looking forward to some of the roles that are out there to play.
I was first introduced to August Wilson in the 80s when Charles Dutton did Ma Rainey and James Earl Jones and Courtney Vance did Fences. I've long considered August Wilson to be one of the five greatest playwrights in American history.
I have a favorite line that I ever got to play with, and that would be at the World Cup. I got to play with Mario Lemieux and Joe Sakic. I got to be the right winger on their line.
People have to understand one thing: at the age of 18, I arrived at a dream club like Manchester United. It was a dream come true. But, even at that moment, I was thinking about playing in England for some years and then going to play in Spain. Even at that time I was thinking that way, and I always gave 100% everything.
People have to understand one thing: at the age of 18 I arrived at a dream club like Manchester United. It was a dream come true. But, even at that moment, I was thinking about playing in England for some years and then going to play in Spain. Even at that time I was thinking that way, and I always gave 100% everything.
In the 1980s, there was no category to stick me in. 'He sounds too smart' is what I was hearing. I realized that I had to become a member of the school of what I call 'ugly acting.' Which meant I wanted to do what Dustin Hoffman did very successfully: to play character roles, but lead character roles.
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