A Quote by Sterling W Sill

You should always have 2 books...the one you're reading and the one you're writing. — © Sterling W Sill
You should always have 2 books...the one you're reading and the one you're writing.

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One of the maddening ironies of writing books is that it leaves so little time for reading others'. My bedside is piled with books, but it's duty reading: books for book research, books for review. The ones I pine for are off on a shelf downstairs.
I've been reading the books. It's the origination, it's the primary source. You should always go back to the books.
So many (too many) books are published every year, and it seems everyone is writing a book. Perhaps we should all be reading more and writing less!
For Borges, the core of reality lay in books; reading books, writing books, talking about books. In a visceral way, he was conscious of continuing a dialogue begun thousands of years before and which he believed would never end.
Reading usually precedes writing. And the impulse to write is almost always fired by reading. Reading, the love of reading, is what makes you dream of becoming a writer.
I've always wrestled with the difference between plot and structure, and after re-reading a lot of writing books I realized I wasn't alone.
Writing, or at least good writing, is an outgrowth of that urge to use language to communicate complex ideas and experiences between people. And that's true whether you're reading Shakespeare or bad vampire fiction-reading is always an act of empathy. It's always an imagining of what it's like to be someone else.
The art of not reading is a very important one. It consists in not taking an interest in whatever may be engaging the attention of the general public at any particular time. When some political or ecclesiastical pamphlet, or novel, or poem is making a great commotion, you should remember that he who writes for fools always finds a large public. A precondition for reading good books is not reading bad ones: for life is short.
There's no such thing as a folk writer. There's no such thing as somebody who's never read a book before suddenly sitting down one day and writing one. You have to learn how to captivate a reader. Right? And I don't mean you have to go to school for it. But if you're - if you pay attention, you can learn it by reading books. And so I feel like I learned a lot by reading books.
Writing books isn't a drastic departure from writing for the stage. I've always written in the long format, five, eight, 10-minute pieces rather than one-liners, so since writing books, the process hasn't changed much. A piece in my live routine can end up as part of one of my HBO specials, and it can also end up in one of the books.
I'm always reading. I have four books on my nightstand right now. The same is true with writing, I tend to work on several varying projects at once.
I'm always reading books, I'm always having encounters, I'm always taking trips. Whatever it is you come up with about how you got started, that's equally true for all the books you didn't start.
I grew up in a house full of books and parents who read, which led to me to reading from a very young age. And reading seemed to naturally progress to writing.
It is an admonition to myself when I am reading other people's books. Writing a book is very difficult to do, even a bad one. I try to remember that when reading someone else's work.
I read books all the time, I'm always reading. I'm not like somebody that reads really fast or a lot or anything, but I always have a book that I'm reading.
When I was in the sixth grade my friend and I always won writing contests, and we read a lot of books. We were always the ones that read the most books in class. I thought about writing but visual arts weren't part of my vocabulary.
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