A Quote by Steve Albini

It always offended me when I was in the studio and the engineer or the assumed producer for the session would start bossing the band around. That always seemed like a horrible insult to me.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
I know I always look like the evil one bossing the band around in 'Scrubs' - well, I'm the same in real life too.
I've always followed my father's advice: he told me, first to always keep my word and, second, to never insult anybody unintentionally. If I insult you, you can be goddamn sure I intend to. And, third, he told me not to go around looking for trouble.
I'm very thankful that I'm in a position where I'll never be without a session. I'll always have someone who will want to get in the studio with me, or there'll always be someone that I'll wanna get in the studio with.
When I was still in the Yardbirds, our producer, Mickie Most, would always try to get us to record all these horrible songs. During one session, we recorded 'Ten Little Indians,' an extremely silly song that featured a truly awful brass arrangement.
I'd have to say, for me, as a child, my favorite memories were always centered around Christmas time. It always seemed like no matter how much money my parents had or didn't have, we got completely spoiled rotten. There were always presents under the tree, and we always did special things, like hide elves around the house.
Id have to say, for me, as a child, my favorite memories were always centered around Christmas time. It always seemed like no matter how much money my parents had or didnt have, we got completely spoiled rotten. There were always presents under the tree, and we always did special things, like hide elves around the house.
I've always had really wonderful people around me. But early on, I remember I would walk into a session or go do something with some musicians, and they viewed me, basically, as their chick singer.
I suppose one thing that's always fascinated me is that thing where you're a band and you want to start recording and you get a label and a producer, and then there's that pressure to go out there and really toil.
It has always seemed to me that the most difficult part of building a bridge would be the start.
I always stayed away from the studio environment as much as possible. But I just wanted to see if I could work in one. It's not easy. Just having an engineer's assistant around is enough for me to be uncomfortable. With more than one person there in the room, it feels strange.
I basically have two ways I start writing. Either I'll start with something about myself, or something that happened to me that seemed important, or I'll start with some idea I have that doesn't have much to do with me. But one will always lead to the other.
I always assumed that like my mother before me, one day I would have children.
While I was always on the leaner side, producer-actor Sohail Khan made me realise the importance of following a diet and a proper work out session to keep in shape.
I was always bossing my sister around.
Like many people, I consider myself an incurable romantic, and there is a part of me that will always believe in walking off into the sunset to live happily ever after. When I was younger, like many children, I assumed I would get married, live in a nice house, and have a couple of kids. I also assumed this very traditional achievement would bring me endless happiness and romance. So much so, that during my college years I considered girls engaged by graduation to be the epitome of success. Perhaps needless to say, I was not one of those girls.
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