A Quote by Steve Albini

In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.
The sound system influence is undeniable in hip-hop, in jungle, drum and bass, now EDM.
It's a weird sound [ "Animals"] inspired by a hip hop drum loop. I listen to a lot of hip hop tracks and it's not used quite often in House currently. I chopped up the loop and edited it so you wouldn't recognize the original.
I've been listening to a lot of dance, hip-hop, drum-and-bass, reggae, R&B - very rhythmical music.
My definition of hip hop is taking elements from many other spheres of music to make hip hop. Whether it be breakbeat, whether it be the groove and grunt of James Brown or the pickle-pop sounds of Kraftwerk or Yellow Magic Orchestra, hip hop is also part of what they call hip-house now, or trip hop, or even parts of drum n' bass.
Justin Broadrick has stated that the drum machine sound was heavily influenced by hip hop artists in the late 80s, particularly the beat on “Christbait Rising” which Broadrick was quoted as saying, “It was my attempt at copying the rhythm sample on 'Microphone Fiend' by Eric B & Rakim”.
I write pop songs. But I think it is sprinkled with a lot of counter-culture references. It ranged from rap to hip hop to trip hop, house, drum and bass, and experimental and improv and jazz.
Most music that comes out of Holland is basically the harder part of dance music - hip-hop, drum'n'bass.
The rhythmic feel of 'Dark Days In Paradise' is completely different to anything I've ever done before. There's a lot of drum loops on there, but used in conjunction with real drums: a lot of influence from hip-hop and dance music, with the keyboard sound and sequencing.
When Mr. Ludwig invented the bass-drum pedal, that's what made the drum set possible.
I've got different drum machines that I use for different things, but I think the older ones are always the best when it comes down to getting that 808 bass.
I strive to create drum samples that have a variety of engineering and capturing options in order to build a unique drum sound.
Amon Tobin has been producing electronic music since the mid-'90s, and was a key figure in the rise of drum-and-bass. He's also written some of the genre's most compelling tracks, in the process delving into jazzy breakbeats and bass lines.
Every time you hear an 808 drum machine beat on one of my songs, it comes from Freaknik.
Yeah, my drum programming especially is based on my knowledge of playing a drum kit. For the bass too, definitely. It was the first thing that I translated any sort of ideas through. It must have shaped it somehow.
The only time I can ever remember Steven crying over any of it was after my treatment, when I tried to use my foot on his bass drum pedal, and we realized I could never play a drum set.
Hip-hop and electronic music are so similar, in the fact that they're both very visceral, have so much bass; a lot of times, it's the same tempos. The culture and some of the sound design is different but a lot of times, it's the same stuff.
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