A Quote by Steve Allen
It often seems that, for whatever strange reasons, comedians, in addition to their formal performances, have more comic experiences in real life than other people do.
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Our behaviour as an athlete is often determined by our previous experiences and how we dealt with those experiences. It is these experiences from past performances that can often shape what will happen in the future. It is for this reason that you learn and move on to be more mentally stronger as both an athlete and as a human!
I can't remember any dreams in my life. There's so much strange in real life that it often seems like a dream.
What I strive to do is make my characters seem like real people so that the reader experiences them as people - that's something I've been working on all of my life. I couldn't have written this novel at twenty or thirty, for technical reasons - I didn't have the technique then - but above all because I didn't have the life experiences I have now at sixty-seven.
I don't understand why people don't use improvisation, especially in comedy films, but also, for me, you get more naturalism, and that's why I like the naturalistic performances and strange rhythms and the way that people genuinely interact captured rather than sort of very mannered performances.
I can also be very happy in this life, but it's usually happiness that I get from other lives I've lived and other dimensions. This life is hardly important to me. It's very small compared to the importance that I think the fourth and fifth dimension have. Those places are much more real to me, like when you have a dream and it's more real to you than real life. Compared to where I'll be going, this life seems like a dream that just feels like a dream.
To get a person's real opinion, ask what she thinks everyone else believes... If people truly hold a particular belief, they are more likely to think that others agree or have had similar experiences. [People] tend to assume that other people have had life histories at least somewhat similar to their own. When we talk about other people, we are often talking about ourselves, whether we know it ourselves.
There is something exciting when you see people who are very formal talking with each other, and there is a sense that they have chosen to be that way. There is something masked that is more interesting to me than just people who are intent on displaying their uniqueness or whatever.
It is curious to note that when for reasons of conscience, people refuse to kill, they are often exempted from active military duty. But there are no exemptions for people who, for reasons of conscience, refuse to financially support the bureaucracy that actually does the killing. Apparently, the state takes money more seriously than life.
I don't really dream, I space out during the day - that's one of my problems wonder off when someone's talking to me. I can't remember any dreams in my life. There's so much strange in real life that it often seems like a dream.
For most problems found in mathematics textbooks, mathematical reasoning is quite useful. But how often do people find textbook problems in real life? At work or in daily life, factors other than strict reasoning are often more important. Sometimes intuition and instinct provide better guides; sometimes computer simulations are more convenient or more reliable; sometimes rules of thumb or back-of-the-envelope estimates are all that is needed.
The man of affluence is not in fact more happy than the possessor of a bare competency, unless, in addition to his wealth, the end of his life be fortunate. We often see misery dwelling in the midst of splendour, whilst real happiness is found in humbler stations.
As an actor, you're afforded these experiences that are once-in-a-lifetime for so many people. More often than not, you can't tell the seasons based on the changing of the leaves, but on the experiences you've had.
I can't even look at daily comic strips. And I hate sitcoms because they don't seem like real people to me: they're props that often say horrible things to each other, which I don't find funny. I have to feel like they're real people.
People are more than their first impressions. And even if someone seems like a lot, or seems this way or that way, it doesn't mean they're not a three-dimensional person, with a real life.
Literature presents you with alternate mappings of the human experience. You see that the experiences of other people and other cultures are as rich, coherent, and troubled as your own experiences. They are as beset with suffering as yours. Literature is a kind of legitimate voyeurism through the keyhole of language where you really come to know other people's lives--their anguish, their loves, their passions. Often you discover that once you dive into those lives and get below the surface, the veneer, there is a real closeness.
I came upon whatever I'm doing organically. I didn't study anything. I don't have any real aspirations other than to connect with somebody, and to have the conversation be genuine. That's the best that can happen. Even if it only happens for 10 minutes in an episode. But I think what people forget is that you don't have to try to get a comedian to be funny. Comedians are innately funny. That the real challenge of talking to them is to get them talking about real things and then see where they need to be funny. And let them do that on their own volition.
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