A Quote by Steve Aoki
I always tell up-and-coming DJs you have to really love what you do and find that interest to drive you. It requires so much attention to detail, and it takes up a lot of your time. You hear a song, and there are so many little pieces that make that song work. It requires a lot of patience, diligence and resilience.
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If you have a goal in life that takes a lot of energy, that requires a lot of work, that incurs a great deal of interest and that is a challenge to you, you will always look forward to waking up to see what the new day brings.
It's better to find a composition through an instrument and to play it and record it because you have something. It's a composition, and the song is good. It lives as a song. The worst is when you have a song and nothing is working well when you produce it. It's not like what you expect in your imagination. It's the worst because it requires a lot of work.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
That's why I always question this sense. The feeling of home really requires a lot of trust. It requires you to identify with it, which I always find myself very contradictory to.
One of the things is my process requires a lot of repetition. I can probably drive people crazy because I'm interested in playing a song twenty times in a row.
Globalization is a reality. And this makes most leaders today realize that populist illusions can't be sustained before they collapse into stagnation and leave their political supporters deeply disillusioned. You can't inflate away your troubles or allow mountains of debt to build up if, as a country, you have to make your living in a globally competitive environment... Building prosperity requires caution and patience. It requires time. Populism is a short cut that doesn't work.
There are choirs singing in your head. If you listen, you will hear the music. It is the song of angels. Pay no attention to the sounds of the world. They are just noises, and even when added up all together they have no value, make no sense. Strain to hear the song of angels. Listen to the melody within your soul.
I love 'The Gospel Truth,' the song that opened up 'Hercules.' I thought that song was a lot of fun, and I really enjoyed producing that and writing that.
It's not hard to create a song, but to write a song that's really going affect somebody? That takes a hell of a lot of time.
Basically it takes me very little time to write a song. If I find myself taking more than an hour to do it I usually forget it, and try something else. I like to work quickly; I never like to waste any time. I never write half a song and come back to it later at all. It all has to be done at once. I lose interest if it doesn't.
It's like... to make a good record - I don't care who you are - it takes a long time and a lot of passion and a lot of attention to detail, right?
I want to make people feel things when they hear my music I want to give a song to someone who is going through a break up, I want to give a song to someone who loves someone and can't tell them. A song for someone who has just fallen in love and a song for just people who are living their lives.
When I originally wrote "Jealousy," it was more like an exercise to try to write a girl-group kind of pop song. It was really contrary to most of the material I'd ever written. I didn't pay much attention to the song after I'd recorded it. I didn't really perform it at all the last 20 years. When it came time to make the new record, I decided to make peace with the song and have fun with it.
The dot stands for 'detail' - always be paying attention to detail. I feel that people take you as serious as you take yourself. I spent a lot of time working on my craft, developing my style, and after I came out of my little incubation, I promised that I would pay attention to detail.
In The Go-Go's, my philosophy is that I contribute whatever the song requires. I never think, 'What can I put in here to show off the latest trick that I just picked up?' What I think is, 'What's required from me as a drummer to make this a better song?'
I teach songwriting a lot, and I always tell my students, 'You gotta write the little songs sometimes to get to the next big song in the chute.' You gotta write 'em to get to it. You never know what's going to be a little song or a big song.
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