A Quote by Steve Aoki
No matter what I do, I can't help but feel that I'm under a microscope. Some of it is completely silly, and some of it is meant to be hurtful. For example, a website accumulated all of my music videos to point out perceived Illuminati images. I loved that one. Of course, it was all ridiculous but funny.
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I make a point to tweet out really funny comments I get on YouTube videos. I have the most ridiculous ones.
Some people draw a line between music videos and short films, looking down on music videos as a format, but there's so much potential in music videos.
I'm an amateur at music and an amateur at most things. I like the idea of offering some music and some records and a website to people who feel perplexed.
I have my website, The Ruckus, which is an Internet site, similar to the Funny or Die format, where people post funny videos. I get a chance to rate their videos; they get a chance to blog and kick it with me.
Typically there are little fragments of specific words and images swimming around in my mind, and then at some point, I'll sit down with the guitar and everything will fall into place. It's like your brain is a drain with a bunch of words and images dropping into it, swirling around. The drain is stopped up, but you can feel these things dropping into it. Then at some point, someone comes along and pulls the plug out of the drain and everything comes together in the song.
I was very pleased to find that once I had records out music videos were starting to happen, so I directed some of my own music videos and got to experiment in other areas of expression.
To the U.S. and the world, I'm just known as some funny song and some funny music, some funny video guy. But in Korea I'm doing one of the biggest concerts; it's not a dance music concert. I'm playing with the band, so I change my every song to a rock song.
Of course, every batsman gets out. I know that. It is almost inevitable that no matter what you do, you will get out at some point or the other.
It was completely fifth garde and completely silly and I loved it, because he wasn't afraid to be silly. It was like kissing him first - I could do whatever I wanted and not have to worry what he'd think of me.
I'm trying to manufacture a sleepover feel; like a tree house or a clubhouse. I want people to be silly and play and feel safe and some people, you have to coax them into that space and some people bring me further into that space, even past the point that I wanted to go.
I know my ticket is vulnerability. Most people point to some emotional experience, some hardship, some high or low when they talk about my music... a time when they need to feel those feelings more.
I produce some of my music videos on a $200 budget. But I produce most of my videos on zero budget. I have a studio in my apartment - which is actually just a green screen I have tacked on my wall and some lamps to light everything.
I'm into old-time music; I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like. So there's some connection between visual images and music.
I love music so much and that kind of takes away from the fact that I am missing out on some things. I have always known that I wanted to be a singer and I knew that meant sacrificing some things for my dream. When I am home I hang out with my friends and go to dances, so I try and partake in some of the activities that I miss out on.
I just loved classical music, but I also loved playing rock guitar, and I loved playing piano, so it was a natural thing that those things would merge at some point.
Usually at the core of fiction that has some element of the absurd there tends to be an examination of some societal ills that we should talk about more than we do. And it's funny, of course, so we have that release valve with absurdism. It offers us a safe way to explore difficult subject matter.
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