A Quote by Steve Backshall
I started climbing in my late teens, but I wasn't passionate about it back then. My first experience was being dragged up peaks by my parents; freezing cold with nothing to see.
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In my late teens, early 20s, when I started stand-up and I was living downtown for the first time, I was deep into my blues and Bukowski phase. And, you know, that's when that's appropriate. And I grew out of it.
I just turned 40, and it's weird to think that I've been doing this almost my whole life. I was a child actor and then didn't do it through junior high and high school, then started up again in my late teens doing 'Young and the Restless.' Dabbled with school, went back to college, played around. I think I was doing Pleasantville at 23.
In my late teens, I fell out of love with music - you know how kids are, when you're encouraged to do something, you rebel. But then I picked it back up again.
It's kind of too movie-like to say, "When I started climbing, I knew I wanted to climb Everest some day." Instead, I just started rock climbing as a kid, when I was 16, and then I started teaching and a buddy of mine started taking me out.
Being southern and doing bobsled was difficult from the standpoint that I had no idea how to handle the cold and how to dress in the cold, let alone warm up and compete in the cold - so it was a definite shock. I didn't even own a coat when I first started bobsledding!
There's a problem for them [teens] when they have to get up and go to school in the morning, they're very sleepy, yet on the weekends, they'll sleep 12 hours, they'll sleep late and then go to bed late and wake up late. And on vacations, it's not a problem.
One of the things that I really like about young adult fiction is that you can explore the relationships between teens and their parents. I definitely think that teens are a product of their parents. You either end up just like them or you consciously make the decision to be unlike them.
Growing up, I remember my parents feeling a little wary of 'The Simpsons.' This was the late eighties, and there was a wave of articles about TV shows that were bad for America. Then we all started watching it and loved it.
I grew up on Wu-Tang and Tribe and Nas, all the raw, very New York-driven music. Then when I got older - in my late teens, early twenties - and that's when I started to listen to Drake and J. Cole, and so it wasn't just East-coast.
I was so passionate about being in the magazine industry, even when I first started at 'Mirabella.'
The very first night on 'The Bachelor,' my first season, I remember standing in the rose ceremony room. It's 4:30 in the morning at this point. It's freezing cold, everyone is cold and nervous standing on these risers, and you could hear the teeth chattering and the deep breaths.
In comics the reader is in complete control of the experience. They can read it at their own pace, and if there's a piece of dialogue that seems to echo something a few pages back, they can flip back and check it out, whereas the audience for a film is being dragged through the experience at the speed of 24 frames per second.
The first real terror struck him then, and there was nothing supernatural about it. It was only a realization of how easy it was to trash your life. That was what was so scary. You just dragged the fan up to everything you had spent the years raking together and turned the motherfucker on.
1958 was my first year as a defensive backfield coach at Florida State. I remember one thing about that game: It was so cold. It was freezing.
Credibility lasts about two cycles of bad material, and then you'll probably never get it back. If you let people down, that's really hard to come back from - harder than climbing from nothing to something, even.
Personally, I never understood the power of having books written about your experience - whatever that experience may be - until I wrote one and started hearing from teens. I just got an email from a reader who said that "Thirteen Reasons Why" was the first time they had felt understood. A book shouldn't be anybody's first time feeling understood and that's where censorship bothers me. These books need to be out there.
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