A Quote by Steve Ballmer
I don't really know that anybody's proven that a random collection of people doing their own thing actually creates value.
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My collection with Missguided is all about doing you - it was completely my process; I designed the whole thing and didn't let anybody make decisions for me. I'm creative in my own right, and I wanted the collection to reflect that. The clothes are very much based on my daily wear and are very versatile, as they can be dressed up or down.
Sometimes in my class I have people come in and do monologues inspired by people they know and I always find that to be useful to do specifics about somebody and then you're actually doing a character and not doing some random old lady or something.
As well as Japanese animation, technology has a huge influence on Japanese society, and also Japanese novels. It's because before, people tended to think that ideology or religion were the things that actually changed people, but it's been proven that that's not the case. Technology has been proven to be the thing that's actually changing people. So in that sense, it's become a theme in Japanese culture.
You know what needs to be done when you're a writer. You know what the job is, particularly if you're an African American writer, or if you deal with people, or if your subjects are poor people or people who need voice. So you don't really need to know whether or not you are doing the right thing. What you have to be wary of if you're doing the right thing to the right level that will surpass your own life. I'm hoping that my work will surpass my own life.
It's interesting, but because I have my own collection, I actually almost never purchase jewelry unless it's sort of playful, whimsical pieces that are more fashion, a little less investment-oriented. Most of my personal jewelry collection is from my own collection. The pieces that get layered in tend to be gifts from my husband.
I don't go there much. You're thrilled that people would recognize what you're doing in such a grand kind of way. But, just like you don't know if anybody's really going to like what you're doing when you put a record out or if anybody's going to pay attention to it, you can't really go there.
I've proven I'm courageous. I'm gutsier than anybody; I've got a better imagination than anybody; I'm essentially more creative than any other actor I know, and I've proven I take risks. I don't think I need to prove anything to myself any more.
That is why we have the polio vaccine. People are blazing their own trial. That is what seems to be important. I don't care to follow and to do what the mass is doing. That is not doing anything, to be doing what everyone else is doing. Everybody is unique. The funny thing about people now is that people don't really understand or really appreciate how unique each individual on earth is.
My Picassos and Ferraris - those are kind of just toys. Those aren't the things that matter. What matters in the car collecting or the art collecting is to learn about it, and then actually not the acquisition but to put them into a collection that I think is curated. You know, so something of me in the collection that the artist actually created the work. If I was going to collect art, it had to be something of me, my eye, things that appeal to me so when I looked at it, it would really look like a collection, not just an accumulation of stuff.
What's invaluable about actually going to the places you want to write about are the random accidental things that happen. Random, accidental detail is the best way to make a setting convincing. You can of course invent your own random details, and sometimes I will also mash up real incidents.
I know that the fact that I am candidate to my own succession in 2017 can be perceived to be a bad thing by some part of the public opinion outside Rwanda and I don't mind because I know that I am doing it for a good cause. It really doesn't matter to me that my name is associated to those critics as long as I know that I am doing the will of the people.
You just have to be opportunistic, and try to figure out what creates value.. where the bottom is, what creates incremental value, and in what combinations.
Unless you're doing some kind of God conscious thing and you know that He's the one who's really in charge, you're just building up a lot of karma and not really helping yourself or anybody else.
I have to say that my background in comedy, of performing live, has been such a great foundation for what we do now on camera. I really value having that kind of experience. Because when you're doing comedy shows you're writing your own material and trying it out on people and you know people find funny and don't.
There are people that really live by doing the right thing, but I don't know what that is, I'm really curious about that. I'm really curious about what people think they're doing when they're doing something evil, casually. I think it's really interesting, that we benefit from suffering so much, and we excuse ourselves from it.
One thing about when I came back into Dinosaur that was really cool was that pretty much anybody that J. was working with who had a long-term relationship with J. were people I really liked and that I actually may have already known.
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