A Quote by Steve Bannon
I've studied documentarians extensively to come up with my own in-house style. I'm a student of Michael Moore's films, of Eisenstein, Riefenstahl. Leave the politics aside, you have to learn from those past masters on how they were trying to communicate their ideas.
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I don't want to be a Michael Moore-style artist, which is not to disparage Michael Moore. But he seems rather unsuccessful at winning people over who don't already agree with him.
I'm not Michael Moore. I think Michael Moore wants to tell you how to think. He wants to give you answers. I make movies to raise my own personal questions and not to give answers.
I had done student films for the School Of Visual Arts and for NYU and all these schools in New York, so those were my first film experiences, but they were student films, so I guess they don't really count.
I'm deeply appreciative that many people have enjoyed my films, films that I made in my own style. The successes have helped me learn how to make films free of expectations and focus solely on the pure filmmaking aspect, without worrying about how much money it'll make.
I didn't come up through the ranks of the conservative movement... I came to these revelations about my own personal politics in a realm in which those books, those ideas, the canon of conservatism, is nonexistent.
When we were trying to come up with a concept for our music video for 'The Stage' we basically run through a lot of different ideas, and ultimately, I sat and studied the lyrics that Matt had written - and they really resonated with me.
You know how you either grow up in a Michael Jackson house or a Prince house? For me it was Michael Jackson. I could never decide whether I wanted to be Michael Jackson or marry him.
We should fight to preserve a country where people such as Michael Moore get to miss the point as badly as he misses it. Michael Moore represents everything I detest in a human being.
There wasn't any particular player I modeled my game after. I tried to learn from everyone and create my own style. I studied past players... Truth be told I never had a favorite player. It's just not my nature to go around idolizing people. I just go try to learn.
Where my earlier works, what sets them apart is that I didn't need approval and I didn't need permission from anyone because I wasn't being paid. So, to me, I was allowed the freedom, the total freedom to just communicate how I wanted to communicate and my whole level of perspective was to communicate to the barrios, communicate to the gangs and communicate to the people that frequent the thoroughfares that were populated by these gangs and by this life style.
So I always respected the guys who were trying to do it on their own without taking a handout from a big organization. They were trying to create their own thing, the DIY style, which is sort of always been my style, kind of a makeshift survival mode and really just kind of forging your own path.
It was a figure painting class, where you had a model, and [Robert von Neumann ] would wander around and he'd come up behind someone and say, "Well, what are you trying to do?" And if you told him what you were trying to do, he would then proceed to discuss this with you and suggest things that you might look at and ways in which you could improve what you were attempting to do, etc - never worked on your painting, never touched your painting but talked extensively about what you were trying to do.
The Chicago Way is a wonderful first novel. Michael Harvey has studied the masters and put his own unique touch on the crime novel. This book harkens the arrival of a major new voice.
In the past, those who had ideas they wished to communicate to the public had the unquestioned right to disseminate those ideas in an open marketplace, called a mall, we should not abridge that right.
Michael Moore: a man who never without an excuse for keeping murdering tyrants in power. But now he's supporting the man who bombed Milosevic into submission? How about an explanation, Mr Moore?
I think when I envisioned my documentaries, what I wanted to do when I left, I had no business doing those documentaries. I didn't know what I was doing. I was delving into an arena that I had no experience in, and Netflix paired me up with two documentarians that really executed my vision perfectly. That was great, to see that. All of a sudden I'm at Sundance, and those are premiering. I just thought, "Wow, they were four ideas I pitched one day, and now it's coming to fruition on this scale."
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