A Quote by Steve Berlin

I was struck by the effortless way they moved between musical styles, all the while managing to make each their own. It was instantaneous that I knew I wanted to work with them.
I always wanted to make an album, but I knew that I didn't want it to be a musical theater album. It's not that I don't love them - I own every musical theater album ever made - but it just didn't seem right for me.
Having to think so much about fictitious relationships that work or don't work, and with each relationship between characters managing to do one or other of those in its own peculiar way, I spend a lot of time thinking about relationships, real and imagined.
It's enjoyable to just drink in an image. It's effortless. That struck me as an interesting way of looking at it: I do all the grunt work so you can enjoy.
The young mouse's eyes snapped open, clear and bright. He swung the ancient sword high and struck at the giant adder. He struck for Redwall! He struck against evil! He struck for Martin! He struck for Log-a-Log and his shrews! He struck for dead Guosim! He struck as Methuselah would have wanted him to! He struck against Cluny the Scourge and tyranny! He struck out against Captain Snow's ridicule! He struck for the world of light and freedom! He struck until his paws ached and the sword fell from them!
It always struck Fire, the physical affection between these siblings, who as often as not were at each other's throats over one thing or another. She liked the way the four of them shifted and changed shape, bumping and clanging against one another, sharpening each other's edges and then smoothing them down again, and somehow always finding the way to fit together.
I always knew I wanted to make my own way; I never wanted to be dependent on my father.
I combine aspects of many styles of music and create my own musical forms by way of electronic instruments.
I knew that I wanted to start my own business. I knew that I wanted to work for myself. I was no stranger to the word no. You just have to keep going.
I envy the music lovers hear. I see them walking hand in hand, standing close to each other in a queue at a theater or subway station, heads touching while they sit on a park bench, and I ache to hear the song that plays between them: The stirring chords of romance's first bloom, the stately airs that whisper between a couple long in love. You can see it in the way they look at each other... you can almost hear it. Almost, but not quite, because the music belongs to them and all you can have of it is a vague echo that rises up from the bittersweet murmur and shuffle of your own memories.
The only honourable work my parents knew was blue-collar. But while my father Robert ran a pawnbroker's shop, and my mother was a waitress, I moved into a middle-class world with a level of security they never knew.
I am practical by nature, and I'd heard that being a writer or an artist is a good way to starve! So I was an economics major at Oklahoma State, and then received an M.S. from Cornell in Agricultural Resource and Managerial Economics. I knew if I wanted to write I would do it on my own, but I knew I wouldn't make myself study economics on my own.
The only family I knew was the Royal Ballet and I didn't feel I was part of it in a way. I moved up quite quickly so I didn't make many friends. You are on your own in that sort of place.
Blake & Murphy were winners, I was a winner, and winners usually gravitate toward each other. They helped me, so I helped them in any way I could. I knew they were able to retain their NXT Tag Team Championship on their own, but when the matches weren't going the way they wanted, I made sure to step in. We were an unstoppable group.
One way of working is just bring a group of totally different musicians together and encourage them to stick to their guns, not to do the thing that normally happens in a working situation where everyone homogenizes and concedes certain points - so eventually they're all playing in roughly the same style. I wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away. So there would be a kind of space in the middle where I could operate, and attempt to make these things coalesce in some way. In fact quite a lot of my stuff has arisen from that.
All I knew when I moved to Nashville was that I wanted to make music in whatever shape and form I could.
Each musical finds its own way.
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