A Quote by Steve Breen
When I look at someone's face, there's something in my brain that just clicks - that breaks down their face into the elements that go into a caricature. It might be like the way a chef tastes a dish and can break down into elements what went into it.
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I’m not fascinated by people who smile all the time. What I find interesting is the way people look when they are lost in thought, when their face becomes angry or serious, when they bite their lip, the way they glance, the way they look down when they walk, when they are alone and smoking a cigarette, when they smirk, the way they half smile, the way they try and hold back tears, the way when their face says they want to say something but can’t, the way they look at someone they want or love… I love the way people look when they do these things. It’s… beautiful.
I train my chefs with a blindfold. I'll get my sous chef and myself to cook a dish. The young chef would have to sit down and eat it with a blindfold. If they can't identify the flavor, they shouldn't be cooking the dish.
What I do is whatever it takes, it takes. Sometimes you see a scene right away and a take looks great so you might print that and you might print a couple more and take elements of all three. It just depends. You're looking for the highlights. You're looking for the best elements of the scene, but preferably you'd like to have one good take that would go all the way through.
If you think about even very common examples like, say, something that you would build, like a clock or a car or a group of people trying to accomplish something, it fails when its unity breaks down. So when it stops having a single form, which is functioning all together, then it sort of falls apart into discrete elements.
It pains me to see my old company, which has meant so much to America, on the ropes. But Chrysler has been in trouble before, and we got through it, and I believe they can do it again... Let's face it, if your car breaks down, you're not going to take it to the White House to get fixed. But, if your company breaks down, you've got to go to the experts on the ground, not the bureaucrats.
For us, time travel is synonymous for the belief in all the things that are not seen, and also for the most outlandish claim that you could possibly make. To say that you're a time traveler is weirder than saying you're an alien. It's really strange to sit down in a basement and be face-to-face with someone who claims to be a real time traveler. So, for us, it was about the nuts and bolts of what it would be like, if you were face-to-face with someone who claimed to be from the future.
If someone breaks your heart, just punch them in the face. Seriously. Punch them in the face and go get some ice cream.
I just feel like people like a little break. Especially at 12:37 at night, you go, like, 'I'm just tired of the snarky right now. I just want to lie down and have somebody make me laugh for an hour. Entertain me, and then I'm going to sleep with a smile on my face.' That's my job; that's what I do.
I don't get the animosity when someone tells a joke that you don't like. Whereas if someone made a dish that you don't like if you went to a restaurant, you would either try another dish or you just don't go back to that restaurant. But you don't say like, "I did not like the hamburger here. This restaurant should be shut down. It should be banned from making hamburgers. No one else should have these hamburgers." And everyone else is like, "No, you wouldn't do that."
If you're going to tear down a hero, you should never forget that you're tearing down someone else's hero. You're tearing down somebody else's son. You might have to face her one day.
To our senses, the elements are four and have ever been, and will ever be for they are the elements of life, of poetry, and of perception, the four Great Ones, the Four Roots, the First Four of Fire and the Wet, Earth and the wide Air of the World. To find the other many elements, you must go to the laboratory and hunt them down. But the four we have always with us, they are our world. Or rather, they have us with them.
The number of elements that have to go into a hit would break a computer down. the right season for that play, the right historical moment, the right tonality.
If someone breaks your heart, just punch them in the face. Oh sure, it seems obvious now, but you'd be amazed at how many people don't think of it when it's relevant. Seriously, punch them in the face and go get some ice cream.
I feel like an inadequate machine, a machine that breaks down at crucial moments, grinds to a dreadful hault, 'won't go,' or, even worse, explodes in some innocent person's face.
I try to take elements from all kinds of music. Even if I'm listening to anything off the wall, like Britney Spears, there might be a certain way someone did something, that I can feel, in some hip-hop flavor.
As Americans lose the wider face-to-face ties that build social trust, they become more dependent on romantic relationships for intimacy and deep communication and more vulnerable to isolation if a relationship breaks down.
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