A Quote by Steve Buscemi
I never did improv professionally, but that was certainly in my training as an actor. I like it. Actually, when I did theater, I used to have a partner, and that was the way we used to write a lot of our sketches, through improvisation. So it's something I feel comfortable with.
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I never did improv professionally, but that was certainly in my training as an actor. I like it.
I took classes and performed and did improv and sketch and wrote sketches and did lights and sound for other people's shows just so I could be around the theater. That was about seven nights a week for seven years.
There are a lot of people who have used the same samples I've used, but there's no way they flipped it the way I did. So, when I put my version out, people completely forgot that this [other] person did it. Everyone can have the same product, but it's more about the way you present it and put it together.
If you've ever been in a romantic relationship and you say or do something that hurts your partner and then your partner is upset about it, it doesn't actually matter whether what you did had the intention that your partner thought it did. What matters is that the emotions are real. You can't invalidate that.
I did an action series back in '97, and did very intense training; weapons, knives, hand-to-hand combat. The more an actor trains in that way, the more we can do on screen and the better it looks. Nowadays, they want the actors to do as much as possible and stunt doubles are primarily used for the dangerous things that aren't covered by insurance.
I used to do a lot of fencing in the theater and a lot of horse riding in the early days, so I'm used to it in a way. If you're classically trained like I am, it's a little bit like mother's milk to me. I enjoy it.
I've never done theater professionally. But I went to the American Academy of Dramatic Arts, so I did some theater there.
The success that comes from my books is not something I feel very comfortable with. Past a certain point you have to accept the idea that the success is a lot to do with the timing and luck and that divorces you from it massively. There are aspects of it that I haven't got used to at all. But I've enjoyed some parts of it massively. It relates to the same reason I did a lot of backpacking ? partly for the experience ? it's something to tell my grandkids. It's a weird chain of events to have in your life.
I feel like most standup comedians do it the way I did it, where you just go to open mics and cut your teeth. Sketch and improv - they take a lot of classes. It's not unusual, the way I did it. It's just that, with standup, no one knows how to start because there's no book for it; there's no place you can really go.
I took an improv class in 2005 in Chicago at ComedySportz, which was short-form, more of a games-based improv. I remember it being real fun and helping with my stand-up. If I did an improv class, and then I did stand-up later, I felt looser on stage and more comfortable.
I really look up to writers who are able to write compressed, single-scene stories, where everything happens in a kitchen. But I just can't think that way. For me it would be impossible to write a story where I didn't know what someone's parents did and what their grandparents did and who they used to date.
I used to write sketches. I loved David Letterman in the '80s. I used to write Top 10 lists for him, and I faxed them in anonymously. I'm sure they threw them away.
There is such a problem with racism, so to actually just say it and have so many people of colour message me and thank me for saying something... I remember when I used to cry about it to my manager I used to be like: 'Why do I feel like this?' and she'd never say it, and I'd never say it. It was really strange.
When I was in college, I started an improv group, and I did a bunch of plays and some musicals. I have a theater degree. I'm a school person: I like getting homework and having deadlines. When I graduated, I worked right away as an actor.
I did improv for about 10 years professionally, and before that, I had done it in high school as part of an improv team. It was definitely a big part of my upbringing.
I used to always make art for girls. That was the thing I did for girls to like me. I did portraits, drawings, letters that formed outlines of significant things in our relationship. Art. I just used art in general. It usually worked.
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