A Quote by Steve Buscemi

Directing television is really hard - it's so fast. You shoot an hour show in seven days. — © Steve Buscemi
Directing television is really hard - it's so fast. You shoot an hour show in seven days.
The fact is that daytime television is less valued than nighttime, and it's partly because of the product that we produce. We do a one-hour show in 12 hours. Nighttime produces a one-hour show in seven to nine days.
The fact is that daytime television is less valued than nighttime, and its partly because of the product that we produce. We do a one-hour show in 12 hours. Nighttime produces a one-hour show in seven to nine days.
'The Librarians' is a show that really needs to have ten days, but we shoot it in seven, so the workload is really tremendous, and we don't really quite have the budget to really give it the production value that it deserves, so we try to be as resourceful as we can.
TV is designed a certain way where you have three, four days on stage and three or four days out. You're basically making a feature every seven days. You have to shoot an hour's worth.
Usually, if I'm coming to Europe, I'm on a boat for seven days, so I spend the seven days doing a bunch of things. I'll do cardio for an hour or an hour-and-a-half and weights, just light weights.
I think the challenge in hour television or half-hour television is that the more it's around, certainly on commercial television, the less time you have to tell stories these days, because the more commercials they're putting in.
I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.
In television, you make an hour-long episode every seven days; we used to make 'Party Down' in four days per episode. It's quick and with independent movies is the same: you gotta keep moving. It's very similar.
If you can master a four-hour morning television show, you can really do anything on television.
Television is a lot more fast-paced, where with films, you really have the ability to get to know your characters. When I was doing guest star roles, I was only one, like, one episode of a thirty minute to an hour show, so you don't really have time to get to know my characters.
There used to be a period of time when you'd shoot big studio movies where you would shoot a couple of pages a day. For a TV show, you've gotta shoot seven to nine. The schedules are much more compressed.
Sometimes you shoot for 40 or 50 hours for a one-hour show, and you have to make some very hard choices.
It's hard to get material. I haven't made a movie before. I have two episodes of television that I think have come in really great, but it's really hard to get directing work.
It used to take us six days to film an hour of 'Gunsmoke.' But I didn't mind the fast pace of soap opera work. It was nice being able to shoot scenes in sequence. We couldn't do that on 'Gunsmoke.'
Movies are boring. It's like watching paint dry. I did a little role in a movie, and it was eight lines. I was there for three days. It's just horrible. Television is 15 hour days. Movies are 18 hour days. And it's 18 hours of doing not a thing.
Working ten hour days allows you to fall behind twice as fast as you could working five hour days.
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