A Quote by Steve Buscemi
Growing up, yeah, I had a magic kit with learn tricks and learn card tricks, but I was never... I used to watch whatever magic special was on as a kid, but then, it's not that I lost interest, but to be a magician, you really, it's really hard work. Learning lines is hard enough; learning sleight of hand, that's real practice.
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One thing you learn doing magic tricks for a living is how close every performance of every magic trick is to disaster. There are no robust magic tricks. They're all hanging from a thread - sometimes literally.
Because 'Gob' was a terrible magician, he was always, in great comedic moments, messing up his magic act. We used to have magicians come in to work on these tricks to actually get them wrong. But they still had to work. We had to bring magicians on to make magic not work.
When [the magician] clicks his fingers and cards change to the four aces, we know we have experienced sleight of hand. Real magic would not be quite that quick and easy. Real magic would take investment. Real magic would draw you in, and make you nervous.
There are 3 kinds of magic in our world. The peddling little magician magic like Uncle Andrew in 'The Magicians Newphew' where people mess around with things they don't understand. It's movie magic. Then there is the magic of the evil side of things. The demonic forces. And that's not really magic... it's corruption of what really exists. And then finally there is the magic of the Holy Spirit of God which is the creation and maintenence of the universe. We don't understand it... and we haven't the faintest idea how He does it. But it's real. That's the deep magic.
If I had auditioned for 'Merlin' on magic alone, I don't think I'd have got it. Like any kid, I probably had a magic kit, but it's not something I ever pursued. I've never watched a magic show like David Copperfield or used him to base my character on, but I really like David Blaine and Darren Brown. They are doing wonders.
If you spend too much time learning the 'tricks' of the trade, you may not learn the trade. There are no shortcuts. If you're working on finding a short cut, the easy way, you're not working hard enough on the fundamentals. You may get away with it for a spell, but there is no substitute for the basics. And the first basic is good, old fashioned hard work.
One day, I saw a magic show, and I was like, 'I have to learn how to do this!' Every time I went to Las Vegas, I had to get at least two or three tricks from the magic shops.
Magic has always been of a great interest of mine. I was an amateur magician when I was young. I used to practice and read up on it a lot. I'm well-aware of the history of magic.
I always wanted to go to the Chavez school but I could never afford it when I was growing up so a lot of my learning came from magic books and watching other magicians. I was also very lucky that I had a couple of really good magic teachers.
My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit.
We didn't have a whole lot of money when I was growing up either. I would always ask for magic books or magic tricks for my birthday or for Christmas and the rest of the year I either had to mow lawns or find part time jobs to help supplement the cost of doing magic.
I've worked ever since I was a kid with a two-bit kit of magic tricks trying to improve my skills at entertaining whatever public I had - and to make myself ready, whenever the breaks came, to entertain a wider and more demanding public.
Dai Vernon, the greatest sleight of hand figure in the history of the art, rarely performed. But he invented magic and had an enormous influence on the whole range of sleight of hand. And so often, the magic he was doing was to fool other magicians.
Dai Vernon, the greatest sleight of hand figure in the history of the art, rarely performed. But he invented magic and had an enormous influence on the whole range of sleight of hand. And so often the magic he was doing was to fool other magicians.
Sometimes a little kid will come up to me and ask me to show him some tricks. I always have to say: 'I can't do any tricks.' They want to see some sort of magic: keepie-uppies, around-the-worlds, that sort of thing. It's not really my strength.
When two people meet and fall in love, there's a sudden rush of magic. Magic is just naturally present then. We tend to feed on that gratuitous magic without striving to make any more. One day we wake up and find that the magic is gone. We hustle to get it back, but by then it's usually too late, we've used it up. What we have to do is work like hell at making additional magic right from the start. It's hard work, but if we can remember to do it, we greatly improve our chances of making love stay.
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