A Quote by Steve Buscemi

I like the struggles that people have, people who are feeling like they don't fit into society, because I still sort of feel that way. — © Steve Buscemi
I like the struggles that people have, people who are feeling like they don't fit into society, because I still sort of feel that way.
I don't tend to think of these characters as losers. I like the struggles that people have, people who are feeling like they don't fit into society, because I still sort of feel that way.
I don't tend to think of the characters i play as losers. I like the struggles that people have, people who are feeling like they don't fit into society, because I still sort of feel that way.
I've talked about tall poppy syndrome when I see people. I used to be like, 'Why am I feeling this way? What is that person taking from me that makes me feel inadequate?' That same feeling you feel when you feel uncomfortable because people start talking about racism, lean into that feeling, don't just look away from it, because you can't pretend.
When I deal with my struggles in my songs, I feel like most people are going to identify with my struggles because they are essentially dealing with the same things.
I want to be very authentic when I perform, because I feel like I owe that to people listening. You can't go through the motions on music like this. You are making people feel a certain way, that you are not feeling yourself. It's like saying "I want you guys to cry, but I don't really care," which isn't right.
I think a lot of people in their lives feel like they don't fit in, even if it looks like they do. People feel like outsiders even if others think we, the lives we live, have everything. If they are popular or they have everything they are supposed to have. Even then, people still don't feel quite included.
I feel like theater in high school seems to be sort of like the safe haven for the outsiders and people who don't necessarily fit in. And it was a come-as-you-are sort of class, and it's a come-as-you-are after-school activity.
It definitely feels like I'm sort of reaching people through social media in the right kind of way. I feel like I've been late to the game with the whole Facebook/Twitter thing, because I always thought it was cheap. But, when I started really using it and trying to be myself when using it, which is the hardest thing. I feel like a lot of people are really responding to that.
I still feel like we're the underdogs, but I feel like people respect us now. People might not like our band or love our music, but I think people respect the fact that we've been doing this for many years and are still doing it and still able to play three giant New York City shows and have people come out.
I feel like I want people to... I guess not be as judgemental of situations because they might not know the full story. Just to try to be nice about other people's struggles and be understanding and not judge people based on their circumstances.
We're all weirdos, and people want to work so hard to fit into society, but it's like, no matter what you do, you're never going to be what society depicts as what's perfect, because that's not real. The only point that you have to make is that 'I'm being me.'
I'm sort of of the belief that people kill themselves from the inside out. When they're unhappy with what they're doing, or not achieving things - when your focus is off-kilter. The thing that keeps me ticking is my values. And I maintain them, because they're worthy. I like to wake up and feel I've done no wrong. I like that feeling.
You feel like people are looking at you like, 'I wanted the old Kathleen. Where's the old Kathleen?' I felt that way in the beginning of Le Tigre. I felt people were like, 'You're not angry enough anymore.' People still ask me that. 'Are you still angry?' I'm like, 'About what? About that question? Yes.'
History shows us that in times of people feeling like they are in need of some sort of rebellion or protests, the artists rise because the poetry we create about pain and its relationship to culture in the world begins to soothe and heal people who are feeling confused or afraid.
I still feel like I'm alone at times - even if I'm in the midst of a million people. Because no one - including me - understands my mind creatively. I haven't really been formally introduced to my gift yet. I feel like I'm still on the runway.
When you are trying to get a shot, you can't be pleasing everybody. And I tend to be sort of collaborative and a bit of a pleaser. And when I'm directing, people just sort of call me Black Hat Gabriela. Because suddenly they're like, "What happened to you?" Because I stop listening. And I feel strident. I feel rude. And I feel un-collaborative.
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