A Quote by Steve Buscemi
I read the script and decide if a particular character looks fun to play. I look for complexity and a sense of humor. Those are crucial, real things to life.
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We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
I always look for the character that gets into your guts and tells you, 'You have to play this.' You have to be brave enough to let everything else go and let the character guide you. When I read a script, I look for that kind of pull.
I can remember the times when I started including humor in novels that were suspenseful. I was told you can't do that because you can't keep the audience in suspense if they're laughing. My attitude was, if the character has a sense of humor, then that makes the character more real because that's how we deal with the vicissitudes of life, we deal with it through humor.
I suppose I look for humor in most situations because it humanizes things; it makes a character much more three-dimensional if there's some kind of humor. Not necessarily laugh-out-loud type of stuff, just a sense that there is a humorous edge to things. I do like that.
I think that a lot of the time I don't go for something in particular. I see what comes to me, I filter it out. I never really strive to play a particular character or do a particular genre of film. As long as it's a good script and a great range of people and my character is really interesting I can't see any reason not to do it.
I don't look for anything in particular, like a particular genre. It's all very much to do with the quality of the script and the character as well.
I always tend to see, right after reading the script, the character and how I want to play it. I guess that's sort of most of the work, preparing for the role, but almost the creation of the character seems to go on as I read through the script.
Singh Is Bling' is a fun, entertaining film. I play a mad, geeky character called Imli. She has no sense of style. I am nothing like her in real life.
Life as a performance is just a way to look at life choices as character choices. Every morning you choose what to wear, you choose how to wear your hair, you choose your friends, you more or less choose your profession, and how hard you will work at it. Those are all things that an actor decides about his character when he is performing, and they are things that we decide in life. We create our "character."
Lucifer has a sense of fun about life; he just likes to play with people. But the sense of humor of the show is what makes the show entertaining as opposed to dark.
A script like 'The Sixth Sense' is fun to read: It's so well-written, and you get a vivid sense of what's going to be onscreen.
The first thing I do with any script is read it and try to visualize if I can play the character - if I can feel what the character's feeling.
My dad has a very dry sense of humor and my mom has a more fun, silly sense of humor. My mom is the type that, at the dinner table, you'd look over at and she'd have a piece of asparagus hanging down her nose. Classic mom bit.
Life experiences help in understanding the character. And many things come to your mind regarding the character sketch when you read the script as many times as possible.
The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good... I remember thinking, 'Oh, this script is too good. They'll never give it to me.'
The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good I remember thinking, 'Oh, this script is too good. They'll never give it to me.'
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