A Quote by Steve Buscemi

I talked with Quentin about where the character came from, and he told me Kansas City. I don't know how somebody talks from Kansas City, so I made him from New York. — © Steve Buscemi
I talked with Quentin about where the character came from, and he told me Kansas City. I don't know how somebody talks from Kansas City, so I made him from New York.
People's outlook on Kansas City is always like, 'They let you rap in K.C.?' Or 'How's Dorothy and Toto?' They put Kansas and Kansas City together, when it's really separate.
And Kansas City is at Chicago tonight, or is it Chicago at Kansas City? Well, no matter as Kansas City leads in the eighth 4 to 4.
The Eternal Kansas City song came from a dream sequence. It was actually kind of weird. I had this dream about a Kansas City type of thing while I was up at Stevie Winwood's place near Cheltenham, in Britain. I went into this small town and I was walking along and this dream thing was still in my head.
When I got interested in football, nobody was cheering for Kansas City. Kansas City was trash. I said, 'That's my team.' Then what happens? We get Joe Montana and Marcus Allen.
The first professional training I received of any kind was when I was 14 years old and we were in Kansas City, Missouri. I attended the Kansas City Art Institute for one summer.
I don't know if I want to go to New York. They'll have to pay me a lot more money because I like it here in Kansas City.
I grew up in Kansas City from when I was about two years old to my mid-teens. Kansas City at the time was an amazing place, because there was so much music going on there. As a kid, I was playing there all the time and learning a lot about music.
Being born in Kansas City, Missouri and raised in the very rural parts of Kansas led me to believe that everything was simple, everything made sense and that anything was possible.
I was Chairman of the Federal Reserve Bank of Kansas City. As you know, there are twelve banks and they have their citizens board, and I got elected to the Fed Chairmanship for the Federal Reserve Kansas City Bank back in the mid-'90s. It might have been 1995-'96.
I live in a little suburb close to Kansas City called Prairie Village, where there's a feeling of everybody knowing everybody else. I think the same thing is true of New York City, by the way.
I have more of an identity with Cowher than I do Tomlin. I knew Cowher when he came over from Kansas City as a defensive coordinator, and his teams were tough. Tomlin came in from Minnesota, and I didn't know anything about him. So maybe it's unfair for me to make the comparison.
Robert Altman made that movie Kansas City about the jazz scene in the city, and we saw that band all together, and that was an amazing show. That's what I got into. I like jazz.
I've lived in New York City all my life. I love New York City; I've never moved from New York City. Have I ever thought about moving out of New York? Yeah, sure. I need about $10 million to do it right, though.
The Kansas City VA is an essential resource for thousands of veterans across Kansas and Missouri, and it should be a place where they can receive medical care and services without fear of discrimination.
Kansas City, I would say, did more for jazz music, black music, than any other influence at all. Almost all their joints that they had there, they used black bands. Most musicians who amounted to anything, they would flock to Kansas City because that's the place where jobs were plentiful.
I was raised in New York City and raised in the New York City theater world. My father was a theater director and an acting teacher, and it was not uncommon for me to have long discussions about the method and what the various different processes were to finding a character and exploring character and realizing that character.
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