A Quote by Steve Buscemi
When I get cast, I always flip to the end of the script to see if my character gets beaten up or killed.
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I have been waiting around to get the right script and the right director. For example, in the past, if a Hollywood director came to me with a script and wanted me to play a character, and she was a stereotypical Asian woman who gets into a fight and gets killed off quickly, that didn't seem to have much interest for me.
It's really cool when the thing you are working on as a small team gets embraced by millions, but in the end, it's about your character and the script and your director and the rest of the cast and crew.
Sex gets people killed, put in jail, beaten up, bankrupted, and disgraced, to say nothing of ruined - personally, politically, and professionally. Looking for sex can lead to misfortune, and if you get lucky and find it, it can leave you maimed, infected, or dead. Other than that, it's swell: the great American pastime. ... You probably won't see it on a bumper sticker, but sex kills.
I always tend to see, right after reading the script, the character and how I want to play it. I guess that's sort of most of the work, preparing for the role, but almost the creation of the character seems to go on as I read through the script.
I always look for the character that gets into your guts and tells you, 'You have to play this.' You have to be brave enough to let everything else go and let the character guide you. When I read a script, I look for that kind of pull.
When any character gets killed, there's always a sadness about that, because they're part of the family in a way.
'7th Heaven' was a big ensemble cast, so everyone would get a turn. Basically, I'd get a script that focused on my character and think, 'Oh, I'm working every day this week.' The mindset was I've got more to do, so I had to focus.
I like to play bad guys, since good guys are always beaten up several times during the movie. Bad guys are beaten only once, in the end.
I don't get tired, because every time a woman doesn't die or doesn't get beaten or doesn't get raped or doesn't get honor-killed or doesn't get acid-burned, it's a huge victory.
To get a script like 'Death Proof' and to get cast in it just affirmed that I want to do character work; that's where my heart is. Maybe I will get to it again, maybe I won't, but it's what I like to do is play something a little outside of myself. This solidified the desire certainly for me.
I love to see how a character unfolds off the page in a project. I don't always know how the character is going to turn out, even with the script being there. It's not always clear where that character is going to take me. Or where I will take them.
That's what the left is always doing. They have an ideal, and they want people to conform to it. When people don't conform to it, they end up being beaten into the mold. And beaten sometimes hard enough so that if they don't fit, then they kill them. That's what happened in the Soviet Union and China.
Sometimes my backswing gets long, and I get in bad positions. The club also can get behind me coming down, so I have to flip my hands to catch up to my body.
As an actor, you're always worried about getting stuck on a show that's not good because working actors need the paycheck. So being cast on a regular procedural, where everything gets wrapped up by the end of the episode, was always a fear of mine because that doesn't really test you as an actor.
When writers don't know what to do with a character, they build up the supporting cast and universe to kind of hide that fact. After a while, you can no longer see the character for the underbrush. When that happens, you need to bring out the weed-whacker to clear some of that away so you can focus on the main character.
Just know that if you want to be a boxer you're going to get your face beaten constantly but then you may end up being a Mayweather or an Ali at the end of the day.
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