A Quote by Steve Buscemi

Casting is everything. Getting the person that you imagined is this character and then seeing what they bring to it. — © Steve Buscemi
Casting is everything. Getting the person that you imagined is this character and then seeing what they bring to it.
Casting is everything. Getting the person that you imagined is this character and then seeing what they bring to it.That's why you hire them, so why tell somebody first what it is you want? I'm more curious to see what they bring to it and then be inspired by it and say: "OK, what if you tried this?" or "What would happen if ... ?"
There's nothing like getting yourself into character and seeing a different person. It really wears on your vanity.
The casting process for 'Hate Mail' just got so difficult. Once you lock in one person and then you try to find the next person, you lose the first person and then the financing falls away.
Casting is everything. I put a huge amount of work into casting, and consistently across my career, I am most proud of my bold choices I made in casting.
You remember Donnie Brasco? It's the most notorious undercover movie ever; it's so street and so real. If you ever imagined yourself doing cop work, you imagined yourself getting pushed to that limit - seeing the furthest you can push yourself while still upholding the law.
I think people are a mixture of everything. I like desperate characters because they do things that most of us normally wouldn't do. If a character is a scoundrel or a liar you think you know them, but then I can bring some emotion to them and they become much fuller than you ever imagined. So what I try to do is have a story where you don't quite know where it's going, and characters who you don't quite know where they're going.
One of the ways that you reveal character is by getting a character into a situation and seeing what they do.
I don't understand what people are talking about in different rhymes glorifying jail. If you like going to bed early, getting yelled at, seeing a fight, seeing somebody getting their head split open, or fighting over the TV then that's the place for you.
I love the idea of seeing a character - I mean, there's nothing like seeing a character and having the huge detail and roundness that a character in a book can give you. It's so much more full than a character in a script can give you, isn't it?
You want to try and bring a character to life in an honest a way as you possibly can. It doesn't matter whether he's a doctor, an actor, a car salesman or a captain of a starship. If you can bring truth and honesty to that character, then your audience will believe you.
When I was single and on Tinder, that was a good little "Hey, did you ever see this movie?" thing. I would never bring it up myself, but if they mentioned it, then cool, that could work for me. But then on the other hand, if they're like a superfan, that could be weird if that's all they're seeing. They think of you as that character more than who you actually are.
I started casting. I cast music videos, but I kept getting fired from jobs because I was iconoclastic in my ways of casting.
Everybody you work with sees what you're doing from a different point of view, a very specific point of view. So, if someone is lighting, they're seeing it from that point of view. A production designer is seeing it from the placement of furniture that tells you about the character. Everything that goes into the room should tell you about the person who lives in that room.
I judge the importance of my character by seeing how much the movie will be affected if you take my role out. If it does affect the film, then my character is important and if it isn't then I wouldn't do the film.
I try not to have too specific notions because it messes up the process later on. I leave it very open to interpretation until I start casting. Everything changes a lot when you start casting. I mean everything.
I have a very simple philosophy when it comes to casting, and it really is casting the best person for the role.
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