A Quote by Steve Carell

The only time I set the bar low is for limbo. — © Steve Carell
The only time I set the bar low is for limbo.
I just set the bar, niggas fall under it like a limbo
It was time to raise the bar higher, or lower if you're doing limbo.
Every limbo boy and girl, all around the limbo world. Gonna do the limbo rock, all around the limbo clock.
If you set the attractiveness bar really low, people have to compliment you on your looks when they meet you in person. I'm pretty much a genius. I'm actually applying to work at the Genius Bar based on this trick.
People like to set the bar high. I like to put the bar on the ground and barely step over it. I like to keep the expectations really low.
Limbo is the place. In Limbo one has natural happiness without the beatific vision; no harps; no communal order; but wine and conversation and imperfect, various humanity. Limbo for the unbaptized, for the pious heathen, the sincere sceptic.
The bar is set pretty low if you want to be a hip, accessible conservative.
They set a low bar for Donald Trump, and he banged his head on it.
The crypto market has set the bar shockingly low for entrepreneurs to raise money, and this is dangerous for everyone involved.
The fantasy of doing a task perfectly is common with procrastinators; they set the bar for success very high. Then they are afraid to approach it. As the deadline approaches, they must set the bar lower.
People want a remarkable experience; it's what they'll talk about, largely because the bar has been set so low by so many companies.
There are houses whose souls have passed into the limbo of Time, leaving their bodies in the limbo of London. Such was not quite the condition of Timothy's on the Bayswater Road, for Timothy's soul still had one foot in Timothy Forsyte's body, and Smither kept the atmosphere unchanging, of camphor and port wine and house whose windows are only opened to air it twice a day.
I really kind of set the bar really low, so I don't get disappointed.
A sad fact of life lately at the Museum of Modern Art is that when it comes to group shows of contemporary painting from the collection, the bar has been set pretty low.
The good thing about people underestimating models is that the bar is set so low, you tend to impress people more easily.
When you're working with a low budget, the most expensive time is the time spent on the set. The words of the day are, 'Get off the set as quickly as possible,' and so CG enables you to do that.
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