A Quote by Steve Carell

Whenever I'm offered something, I always read the script and meet the director. I still appreciate just being considered. — © Steve Carell
Whenever I'm offered something, I always read the script and meet the director. I still appreciate just being considered.
But I have a list of books that I want to read before I die, and whenever I get time to read something that isn't a script, I'll read something from that.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
You can have an amazing director and terrible script, and the film's not going to be great. But if you have the most incredible script and an okay director, you could still get a really good film.
I always love being an actor for the simple fact that, whenever you do a job, you have to read a lot of stuff that you've never read before; you explore things, and generally you meet experts in lots of fields, and you get to absorb that information and make it look like you've done it for 20 years.
I always love being an actor for the simple fact that, whenever you do a job, you have to read a lot of stuff that you've never read before, you explore things, and generally you meet experts in lots of fields and you get to absorb that information and make it look like you've done it for 20 years.
Whenever I pick a script, I make sure I'm choosing something I would want to watch. And 'Quantico' was something I'd definitely want to watch. As soon as I read the pilot - and I read 26 this season - I knew this was it.
Whenever there's an interview with me, I might read it, but I don't read the comments because they're so hateful sometimes. When someone writes something nasty, I just think, "If that's your contribution to my day, I really don't need your impoliteness." I'm lucky that people are very cool with me and I get a lot of love. I appreciate that.
Directors are our teachers, and I'm always craving to work with a great director. They're pretty much the first thing that interests me about a project. Let's put it this way: It'll take me a lot longer to read a script if there's no director attached.
Very often, it's the director that I'm attracted to. If it's a really good director, I don't even have to read the script to say yes.
I still carry the residue of the pressure I felt as a child to read and appreciate the right books. Growing up, I never allowed myself to read beach reading. I was always plowing through Ford Madox Ford's 'Good Solider' or something I wasn't equipped to understand.
The difference between the first time I read something and the tenth time I read something is generally pretty profound. Even if the script is the same, just the way that I read it is different.
At an early age my dad - probably because he's a journalist - said: "Just have something to say. Don't just blather. Always have one line in your mind." So, that was always my thing whenever I met someone when I was younger, if ever I got to meet a real celebrity.
My starting point is always to read a script and have a conversation with the director about what their vision is, and then, after that, I love to do research.
Whenever I'm doing any film, there's always three different things. There's the script, which is really just a blueprint. And then, you shoot the movie and it's an entirely different experience than you would expect from reading the script. And then, there's the whole post process and the editing, and it becomes something else entirely.
You show people playing poker or hacking into a computer; it feels so significant in the script, and then when you see it on the screen, it loses something. But there's something about cooking - food being prepared is incredibly captivating. It became just a fun box of tools to use as a director.
This site uses cookies to ensure you get the best experience. More info...
Got it!