A Quote by Steve Clarke

I don't shout from the rooftops or blow my own trumpet. But I take a lot of satisfaction from the players and staff at clubs who recognise what I've done. — © Steve Clarke
I don't shout from the rooftops or blow my own trumpet. But I take a lot of satisfaction from the players and staff at clubs who recognise what I've done.
You have some people who recognise the players or coaching staff, but there are a lot who don't have a clue, who look at us and ask, 'What sport are you doing?'
I spend a lot of time copying saxophone players and trumpet players. Not to say that it is not important to listen to guitar players, but there's so much music out there and so many possibilities. I like anyone who plays any instrument.
I spend a lot of time copying saxophone players and trumpet players.
If you want to become a super club you have to be ready to play against super clubs. In the past couple of years, we've seen a mentality that has emerged that our players aren't on the field to get autographs. It's an opportunity to prove what we've been shouting from the rooftops for a long time, that we've been producing quality players and we can play with the best teams in the world.
Not wishing to blow my own trumpet, I'm as near to being the perfect dog owner as it is possible to be.
When you act, you take on the attitudes and the emotions of others. There has to be a release. Most often done in conviviality. That's why there are clubs like the Players, the Friars - in London, the Garrick.
...[P]eople who shout joy from the rooftops are often the saddest of all... (p.24)
I will go out again this very night with my rockets and fuses. I will blow them straight out of their comfortable beds. Blow the rooftops off their houses. Blow the black, wretched night to bits. I will not stop. For mad I may be, but I will never be convenient.
I believe the road to hell is paved with adverbs, and I will shout it from the rooftops.
We must shout out from the rooftops that Minneapolis is the best place on Earth.
I was minding my own business when something says to me, "you ought to blow trumpet." I have just been trying ever since.
Matisse was very clear about saying that you have to blow your own trumpet and explain yourself, which I think has been slightly forgotten.
Some players are bought by other clubs with an eye to them developing into something special in a few years' time. Whereas there's a bit more pressure on some of the other clubs to bring in players who are going to be hitting the ground running and top players verging on world class almost immediately.
Seeing a new play in a first-time production is so exciting - when it's good, you want to shout from the rooftops.
In the last analysis, the artist may shout from all the rooftops that he is a genius; he will have to wait for the verdict of posterity.
I don't want to blow my own trumpet but the aim of the game is to hit and not get hit and that is what I am doing.
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