A Quote by Steve Clevenger
Any time you can go out there and throw 12 pitches in any inning, you give your team some momentum coming in and get some confidence out on the mound.
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It's good to give some of the kids a chance for playing time and some confidence. It doesn't do any good to leave starters out there just to beat a team by 60-70 points.
It's having the confidence to go out there and say, 'You know what? I need to go out there and throw those pitches where I need to throw them,' and make it as simple as that.
If you can get an out on one pitch, take it. Let the strikeouts come on the outstanding pitches. Winning is the big thing. If you throw a lot of pitches, before you know it, your arm is gone.
We have heard projects with some of the writers, who we've been in business with for a long time at the studio, that we've heard as a studio - often, pitches that are still in their formation stage where we or the writers have wanted our input on developing them. We've probably heard more pitches with the network hat on. Certainly all of the outside pitches are that way, and many of the pitches that have been in great shape coming out of the studio we've heard from a network perspective.
Any time you can get up there and scare a few people, throw up some decent times, it builds up your confidence and also sends a message to other people.
The only time I really try for a strikeout is when I'm in a jam. If the bases are loaded with none out, for example, then I'll go for a strikeout. But most of the time I try to throw to spots. I try to get them to pop up or ground out. On a strikeout I might have to throw five or six pitches, sometimes more if there are foul-offs. That tires me. So I just try to get outs. That's what counts - outs. You win with outs, not strikeouts.
I'm me on the mound. I like to show my emotion, be real aggressive and give everything I've got for one half inning. I don't have to act. What you see on the mound is what I am in real life.
Your life can change in one year. You can go from a nobody, not even getting any playing time on a college team, to being one of the most highly touted quarterbacks coming out of college for the draft.
We worked so hard, spent so much time in weight room and in camps to be where we are today. We wanted to come out and be as good as any team in the state, to prove we could hang with any team at any time.
Some go on to trade schools or get further training for jobs they are interested in. Some go into the arts, some are craftsmen, some take a little time out to travel, and some start their own businesses. But our graduates find and work at what they want to do.
If I'm called up by any England team, I'm willing to go. I'm not going to pull out of any England team. Ask any young kid who wants to play for their national team, and everyone's the same. We're all dying to do it.
I'm not on Twitter, nor Facebook, or LinkedIn, or any of these systems, because they suck in your soul and they will not let you go. Try to get out of any of them, and you will see. They are just like some religions where apostasy is punished by death.
You're going to have to go out there and throw tons of zeroes to give your team a chance to win.
The game can come down to one pitch. But when you're actually out there on the mound and when you're pitching, you can't be worrying about the margin of error or whatnot. You have to go with your strengths and what you believe is the right pitch and keep executing pitches.
Whenever I come out to go to the NFL, I'd be honored to play for any team. Any team that would give me that opportunity to be part of their organization, it would mean the world to me.
Any advice I could give to female directors would be the same as for males: There will be endless difficulties, some seemingly defeating, on your way. That's a given. Just wipe out the very notion of stress. Concentrate on your actors. Obsess about your story and the world it is anchored in. Deal with the hundreds of down-to-earth issues [around] the existence of your film. At some point, everything will be ripe. And you wouldn't be able to stop your film from coming to life even if you wanted to.
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