A Quote by Steve Coleman

Light is my brush. Film is my canvas. — © Steve Coleman
Light is my brush. Film is my canvas.
I am a brush, the car is my track and the artist my canvas
I am an artist. The track is my canvas, and the car is my brush.
On the canvas of life, Every sweep of the brush matters, Counts for something.
Movies are a medium of expression like a symphony orchestra...or a painter's brush and canvas.
Painting a line across canvas with a brush is similar to the motion of a wave breaking.
Most of the paint I use is a liquid, flowing kind of paint. The brushes I use are more a sticks rather than brushes – the brush doesn’t touch the surface on the canvas, it’s just above [so] I am able to be more free and to have greater freedom and move about the canvas, with greater ease.
I regard photography and film simply as new technical means which painters must absolutely make use of, just as from time out of mind they have made use of brush, charcoal and color. It is certain, however, that photography and film must become as evocative for the sensibility as pencil, charcoal and brush. (1927)
You can only generate ideas when you put pencil to paper, brush to canvas... when you actually do something physical.
Within one hour of touching the brush to canvas for the first time, my students have a total, complete painting.
My hair is always the same. It's wavy, so I brush it with a round brush. I'm a brush fanatic. I hoard brushes. I love getting my hair brushed. I will ask my friends to brush my hair for me.
There is an exercise I teach at colleges: Get yourself a canvas and a bunch of acrylics and go into a very dimly lighted room. Dip a brush into one of the colors, slap it on the canvas, don't look, close your eyes, make a painting, don't look, turn the lights on and see what you've got. I think this releases people from the editor in their life that's always standing over their shoulder saying, "Oh, you don't have any talent; who do you think you are?"
And so my militant philosophy is this: to make with a brush on canvas is a simple direct delight-to make with the movie is the same.
I throw down the gauntlet to chance. For example, I prepare the ground for a picture by cleaning my brush over the canvas. Spilling a little turpentine can also be helpful.
No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
Light is my inspiration, my paint and brush. It is as vital as the model herself. Profoundly significant, it caresses the essential superlative curves and lines. Light I acknowledge as the energy upon which all life on this planet depends.
Bodybuilding is an art, your body is the canvas, weights are your brush and nutrition is your paint. We all have the ability to turn a self portrait into a masterpiece.
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