A Quote by Steve Coogan
When you see a crowd of people jumping up and down at a pop concert, all gloriously in the moment, I don't think you'll ever see a comedian there. They'll all be standing at the sides, looking at how it all fits together.
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You know how, when you fly from coast to coast on a really clear day, looking down from many miles up, you can see the little baseball diamonds everywhere? And every time I see a baseball diamond my heart goes out to it. And I think somewhere down there- I don't see any houses, I can hardly see any roads- but I know that people down there are playing the game we all love.
There's one part of the forest in Wales, it's like a natural bowl, and when we drove into it last time, it was getting dark. And as you came over the hill you could see fireworks being set off, the whole place was lit up and you could see this huge crowd all jumping up and down and cheering.
I woke up and all I could see was Iraqis standing all around me, looking down upon me. I knew at that moment something terrible had happened and I wasn't in the right place.
When I say: "I'm looking at you, I can see you", that means: "I can see you because I can't see what is behind you: I see you through the frame I am drawing. I can't see inside you". If I could see you from beneath or from behind, I would be God. I can see you because my back and my sides are blind. One can't even imagine what it would be like to see inside people.
I've written quite a few things, but I've put it on hold for now to see how everything fits together. Then I'll approach it and write specifically to see how the pieces fit in the puzzle.
Truth, I have learned, differs for everybody. Just as no two people ever see a rainbow in exactly the same place - and yet both most certainly see it, while the person seemingly standing right underneath it does not see it at all - so truth is a question of where one stands, and the direction one is looking in at the time.
Certain people want to see me solely as a pop act, but there are many different sides to Christina Aguilera besides the pop girl.
I'm not out here looking for no garbage cans to curl up in. I'm looking for the same good dreams everybody else is hoping for, but I don't see where they are. Or maybe I see where they are, but I don't see how to get there.
A lot of people are thanking me for standing up, but I don't want to be the only one standing up. Our political leaders are important. But I don't see anyone hunting down these guys setting refugee camps on fire or sending them to jail.
I feel that at this point in our country's history, it is important that we not reverse marriage equality, that we not reverse Roe v. Wade, that we stand up against Citizens United, we stand up for the rights of people in the workplace, that we stand up and basically say: The Supreme Court should represent all of us. That's how I see the court, and the kind of people that I would be looking to nominate to the court would be in the great tradition of standing up to the powerful, standing up on behalf of our rights as Americans.
If you think about it - if you watch a gymnast compete, you don't see their training behind the scenes. You just see the competition. You see the final result when it's polished. And that is very much what people experience with concerts. They go to the concert. And they see the final version.
People see me for 30 seconds at a time, and they see someone who's got a hair and make-up team that put them together, and they're looking all right in the world, but it's not.
It's quite something to see that what I was doing was affecting people in that respect: people jumping up and down on their couches, screaming, yelling, crying.
It isn't a matter of how long, or even how much you know. It's a way of looking at things, how much you see and how you think. I suppose it's, well, perspective. . . When you start seein' five sides to a four-sided object, that's when you get the gray robe.
The most amazing moments are when something horrible is about to happen or has just happened. The iceberg falling into the ocean. That aching moment. You can see the pieces, you can see how they fit together, but you can't put them back together.
The "essence" of comics is fundamentally the weird process of reading pictures, not just looking at them. I see the black outlines of cartoons as visual approximations of the way we remember general ideas, and I try to use naturalistic color underneath them to simultaneously suggest a perceptual experience, which I think is more or less the way we actually experience the world as adults; we don't really "see" anymore after a certain age, we spend our time naming and categorizing and identifying and figuring how everything all fits together.
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