A Quote by Steve Coogan

The great thing is that the funny side of getting old is fuel for my comedy. — © Steve Coogan
The great thing is that the funny side of getting old is fuel for my comedy.
I can do comedy, so people want me to do that, but the other side of comedy is depression. Deep, deep depression is the flip side of comedy. Casting agents don't realize it but in order to be funny you have to have that other side.
I would love to do a comedy, but comedy probably in the sense of a dark comedy like 'Californication,' that sort of thing. Yeah, sure, I think I'm funny.
The only thing that I don't like is my kids watching comedy that isn't actually funny. There's a lot of supposed tween comedy on TV that isn't particularly funny, but it's got a lot of laugh track. And I go, 'Please don't watch that. Please just watch something that's actually funny.'
People who I've worked with are always like, 'Why aren't you doing comedy? You're funny!' because they've only seen the one side. I did do the comedy 'Whatever Works,' with Woody Allen and Larry David.
I'm not at all funny. I can do dark comedy pretty well, but straight-up comedy, I don't know. I'm much darker. I've been like that since I was 3 years old
I'm not at all funny. I can do dark comedy pretty well, but straight-up comedy, I don't know. I'm much darker. I've been like that since I was 3 years old.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
It's funny to see my friends going through that middle-age thing about losing their hair. I went through it in college. They all say, "Oh my God, I'm getting old. I'm never getting laid again." Shut up. Yes, you are.
Being sexy is just one component. It's not a thing I am. It's a thing I can be. It's a side of myself I can tap into, just like I can tap into my funny side, my quirky side or my dramatic side. It's not what I am.
When I was in improv workshops or doing stand-up or writing comedy with others, or just doing comedy, I just laughed. Funny was funny; I loved to laugh. I always liked people I found generally funny.
I've noticed, as a comedy fan, that I really like Paul Thomas Anderson or Quentin Tarantino because when they're funny, they're actually funny. It's not like when other dramatic writers have comedy, and I'm just like, 'Well, that's not funny. Why are you even trying to make a joke here?'
A lot of people who do drama say comedy is the hardest thing, but, not wanting to sound like a bighead, comedy is easy for me, as I've always been fairly funny.
Phunny Business is a breezy, vivid, funny, star-studded and delightful valentine to comedy, entrepreneurship and the All-American impulse to make something out of nothing. The story of comedy club owner/inveterate dreamer Raymond Lambert and his heroic quest to create a safe, productive place for black stand-up comedians to hone their craft and find their voices isn't just a great Chicago story and a great comedy story: it's a flat-out great story, lovingly and engagingly told.
I'm the ultimate studier of comedy. I grew up in a very funny household. My dad is the king of one-liners; my brothers are great at telling stories, and my mom is funny without knowing it.
I think the kick to doing comedy is just to get in a film with really funny people and let them do their jobs. I find that in most comedies, I'm not the funny one, which works out great.
One night I went to this comedy club and paid a hard-earned $5 to get in, and every comic that came up was dry as an old turkey wishbone, as in not even close to being funny. When you're broke and you pay $5 to see somebody, you want them to be funny.
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