A Quote by Steve Cosson
In conducting interviews, my fascination is not only with the content of the conversation, but also the overall delivery of spoken language - so much of one's personality and story is embedded within their speech, their rhythms, the structure of their thoughts, their use of particular diction or dialect.
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The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.
Every language having a structure, by the very nature of language, reflects in its own structure that of the world as assumed by those who evolved the language. In other words, we read unconsciously into the world the structure of the language we use.
A dead language is not only one no longer spoken or written, it is unyielding language content to admire its own paralysis. Like statist language, censored and censoring. Ruthless in its policing duties, it has no desire or purpose other than maintaining the free range of its own narcotic narcissism, its own exclusivity and dominance. However moribund, it is not without effect for it actively thwarts the intellect, stalls conscience, suppresses human potential. Unreceptive to interrogation, it cannot form or tolerate new ideas, shape other thoughts, tell another story, fill baffling silences.
In the absence of any written analogue to speech, the sensible, natural environment remains the primary visual counterpart of spoken utterance, the palpable site, or matrix wherein meaning occurs and proliferates. In the absence of writing, we find ourselves situated in the field of discourse as we are embedded in the natural landscape; indeed, the two matrices are not separable. We can no more stabilize the language and render its meanings determinate than we can freeze all motion and metamorphosis within the land.
People define gay cinema solely by content: if there are gay characters in it, it’s a gay film... Heterosexuality to me is a structure as much as it is a content. It is an imposed structure that goes along with the patriarchal, dominant structure that constrains and defines society. If homosexuality is the opposite or the counter-sexual activity to that, then what kind of a structure would it be?
Silence is never-ending speech. Vocal speech obstructs the other speech of silence. In silence one is in intimate contact with the surroundings. Language is only a medium for communicating one's thoughts to another. Silence is ever speaking.
I'm interested in the structure of art and how it works. And the content is also interesting, but I don't want to keep the same structure and just plug in new content every week.
If we are not most careful with our thoughts and speech, the words we use will use us. Language has its own ethics, and one who communicates truth is like a bright light in the darkness.
One of the reasons I love language is that concerning semiotics, language is an arbitrary sign system, which means the signs within it are free-floating, but we put them in a certain order to get them to have meaning for us. If we left them alone, they'd be like water, like the ocean. It would be just this vast field of free-floating matter or signs, so in this way, I think language and water have much in common. It's only us bringing grammar and syntax and diction and the human need for meaning that orders language, hierarchizes it.
If anything is scary about my writing, it's that it's the product of a very particular vision and doesn't reference common speech that heavily. By 'common speech,' I don't mean language as much as an agreed-on way of seeing, or a shorthand.
Our biological rhythms are the symphony of the cosmos, music embedded deep within us to which we dance, even when we can't name the tune.
I am adding another language to the spoken language, and I am trying to restore to the language of speech its old magic, its essential spellbinding power, for its mysterious possibilities have been forgotten.
Conversation was never begun at once, nor in a hurried manner. No one was quick with a question, no matter how important, and no one was pressed for an answer. A pause giving time for thought was the truly courteous way of beginning and conducting a conversation. Silence was meaningful with the Lakota, and his granting a space of silence to the speech-maker and his own moment of silence before talking was done in the practice of true politeness and regard for the rule that, "thought comes before speech."
The one overall structure in my plays is language
The one overall structure in my plays is language.
... while infants will sync with the human voice regardless of language, they later become habituated to the rhythms of their own language and culture ... ... humans are tied to each other by hierarchies of rhythms that are culture-specific and expressed through language and body movement.
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