A Quote by Steve Cropper
My favorite moment of the whole thing was when John Belushi suggested that I get a hold of all the blues records I could so I could research the music.
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We're getting the blues about having to walk away from this whole thing. We enjoyed it a lot and it all felt good. We had a good experience on it. We thought we could do good work together. And it is unusual to get the next one, straight off the bed. John is funny. When he gets moving, he moves pretty quickly.
Kurt [Cobain], from the moment he could hold a paintbrush in his hand, was painting. And from the moment he could hold a guitar, he was playing
You have to get past the idea that music has to be one thing. To be alive in America is to hear all kinds of music constantly: radio, records, churches, cats on the street, everywhere music. And with records, the whole history of music is open to everyone who wants to hear it.
I think blues music is music of the soul. Of course, there are other forms. You could call some classical music blues music in that way.
I'm John Lee Hooker in the sense that he was a blues man and he played blues his whole life. I'm a rock guy and I'm going to play rock music my whole life.
I grew up with music in the house. I was told I could sing as soon as I started talking. Everybody in my family sang, always lots of records, blues and jazz and soul, R&B, you know, like Mahalia Jackson, Aretha Franklin, Coltrane, that kind of thing.
Albert [Brooks] was rare in that he could make adults laugh. He was a prodigy. At age 15 and 16, he could make my dad laugh uncontrollably. And whenever we had parties, some of the funniest people of my generation - whether it was Billy Crystal or Robin Williams or John Belushi - would be doing shtick.
One of my favorite things to do is sit around and listen to old records... You're forced to listen to the whole thing. And it's so cool digging through the bins trying to find them. I get giddy about records.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
People are like houses. They could open their doors. You could walk through their rooms and touch the objects hidden in their corners. But something--the structure, the wiring, the invisible mechanism that kept the whole thing standing--remai ned invisible, suggested only by the fact of its existing at all.
I remember when I was coming up, the music stores where you could get guitar strings was where I got my records from. Now the place where you get your records from is where you can get your DJ mats and your mixers.
I was essentially raised on blues music. My dad was a blues musician around Dublin when I was a baby, so the only music I would listen to growing up was John Lee Hooker and Muddy Waters. It's music that feels like home to me.
You could play the blues like it was a lonesome thing - it was a feeling. The blues is nothing but a story... The verses which are sung in the blues is a true story, what people are doing... what they all went through. It's not just a song, see?
Beethoven was just music, and it didn't matter if he could hear it or not - he could feel it. He could hear it in his mind. He could write it down hearing it in his mind. He was just music. Yeah, he's one of my favorite writers of all times.
I listened to King Oliver and I listened to Louis Armstrong, Jelly Roll Morton, Thelonious Monk, Charles Mingus, John Coltrane, Archie Shepp... I listened to everything I could that came from that place that they call the blues but, in formality, isn't necessarily the blues.
But where pain was, healing could come; where loneliness was, new relationships could be formed; where rejection was, new love could be found. It was a moment. And moments changed. She would have to live through the moment to get to the next.
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