A Quote by Steve Cropper
I'm a Top 40 record guy. I remember the hits and don't remember the flops. Something in my brain blocks them out.
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I remember it was Dr. Seuss' birthday, and I got to read to the little ones and that was just an awesome experience. I remember when I was a young knucklehead and having that access to an after-school program in my community. It's something that hits home to me and something I wanted to always be a part of.
When I started my career, I gave four flops, and then four hits, two flops, two hits, and then three flops.
But we did see the process develop. I remember going to the Rocket Pictures base and they had something like 40 people there, drawing. They didn't know what the characters looked like yet and I remember on the walls seeing 30 or 40 different versions of Juliet. So, it was then that I realised that someone's got to come in and make some really executive decisions.
The heart of most spiritual practices is simply this: Remember who you are. Remember what you love. Remember what is sacred. Remember what is true. Remember that you will die and that this day is a gift. Remember how you wish to live.
The three-breasted woman was very much at the top of my list in [original 'Total recall']. Like I said, I was fourteen! I remember Arnold [Schwarzenegger] pulling that big tracker out of his nose and freaking out about that. I remember going through the immigration booth where their face splits open with that heavyset redheaded lady. So there were a lot of these little moments that I remember.
My definition of learning is to remember what you are interested in. If you don't remember something, you haven't learned it, and you are never going to remember something unless you are interested in it. These words dance together. 'Interest' is another holy word and drives 'memory'. Combine them and you have learning.
Of course, there are days when you remember that what if I had continued irrespective of hits or flops, maybe I would have been in different place. I agree and accept that, but there is no need to regret because the 8-9 years I was away from cinema has also given me depth and changed me as a person.
I fought some guy who looked like Steven Seagal, some aikido guy or something. The fight's not even on my record, I don't remember his name. My dad was there at the fight and he said he blinked and he missed the fight, so I think I finished him fast or something. I forgot all about that fight.
With every show I go out and do, I'm trying to change peoples' lives. I'm trying to make a huge moment and give them something that they'll remember forever. I know that's crazy to say after I've played maybe 5,000 shows in my life, but really that's what it is. Leaving it all out on the dance floor and giving people something spectacular to remember.
You still have Top 40 radio now, but it's 40 different stations. There aren't many hits that everybody knows, and there aren't many real superstars.
I have to believe that most people know that 'Can't Take My Eyes Off Of You' is my song. But the reaction we get from the audience at 'Jersey Boys' is that they didn't remember how many hits we had. A lot of 'Oh yeah, I forgot they did that song.' We had 20 Top 10 hits in the U.S... people forget.
If everybody had 100% record of hits and flops, there would have been no surprises. There's not one director with 100% success rate.
You do remember things that people say in movies. You remember particular lines and things that are funny. But, you also remember really strong images. Images have a way of bypassing your brain and hitting you emotionally.
I always wonder: the images that hit your brain when you're young are so significant, because there's not that much information in your brain. As you get older, things just bounce off. I can remember these minute details of stupid TV shows from the '70s, and I can't remember a book I read yesterday.
Robert Kirkman can't bear it when I wear flip-flops. He takes pictures of my flip-flops and keeps sending them to me, like, 'What are you doing? Rick Grimes is not a flip-flop kind of guy.'
So many times, I watch games and think, 'Man, why is that guy trying to score like that? He can't do it.' But he's been told his whole life, 'You have to go get 40 if you want to be one of the top dogs.' It's my goal to build a lane where you can be a top dog, and you don't gotta go get that 40. You can go get four and still be a top dog.
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