A Quote by Steve Diggle

When you're writing you're affected by everything that's going on around you. — © Steve Diggle
When you're writing you're affected by everything that's going on around you.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
I started writing probably around when I was 15, because that's when I picked up the guitar. That was also around the same time when I began to create my own music, and everything really just clicked for me, and I knew this was what I was going to do.
I am the sum total of everything that went before me, of all I have been seen done, of everything done-to-me. I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I'm gone which would not have happened if I had not come.
When 9/11 happened, it affected everything. It affected me. I'm an American, and I'm like, 'Oh my God, this is evil. This is terrible.'
'Ted Lasso' has affected all of us - affected the cast, affected the crew, affected the writers. You can't really make a show like this without being accountable, and looking at your own behavior.
I have a lot of friends, in and out of golf, and there is a mutual trust. I'm very serious at the course. Maybe if I joked around more around the press tent, your image of me would be different. But that's not me. And the golf course is my office. If I come up to you when you're writing a story, are you going to drop everything to talk? Or are you going to say you're too busy doing your job?
Journalism is very much public writing, writing with an audience in mind, writing for publication, and frequently writing quickly. And I know that when I worked daily journalism it really affected my patience with literature, which I think requires reflection, and a different kind of engagement.
I don't like to think in terms of writing ten or twelve pages a day. Usually I'm writing a scene, and it's always with the idea, "I wonder what is going to happen." Or sometimes I write about something that affected me emotionally the day before and that I don't want to lose. I'm very unorganized at first; but finally it comes into a structure where consciously I'm working on a novel per se.
Piers is always going on about how he hated Stowe. As if that solves everything, as if to hate something means it can't have affected you.
If you are suffering from your intemperance in eating or in drinking, we that are around you, or associated with you, are affected by your infirmities. We have to suffer on account of the course you pursue, which is wrong. If it has an influence to lessen your powers of mind or body, we are affected by it.
I wish there were a class where we could just keep going around the circle. around and around, until we had finally said everything about ourselves.
I just want people to be affected by the music. I'm really affected by my surroundings and put everything in my music - what I'm not getting and what I desire. I want it to be uncompromised... almost a spiritual thing.
Writing is writing to me. I'm incapable of saying no to any writing job, so I've done everything - historical fiction, myths, fairy tales, anything that anybody expresses any interest in me writing, I'll write. It's the same reason I used to read as a child: I like going somewhere else and being someone else.
My writing is often a way of 'bearing witness' for others who lack the education and the opportunity to tell their own stories, so I hope that my writing won't be affected too much by my personal life.
I'd really like to see smart sex writing, writing that can take sex apart and try to put it back together, that doesn't just put a box around "sex writing" and give it glaring neon lights but assumes that sex is part of everything else in our lives.
Who what am I? My answer: I am the sum total of everything that went before me, of all I have been seen done, of everything done-to-me. I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I’ve gone which would not have happened if I had not come. Nor am I particularly exceptional in this matter; each "I", every one of the now-six-hundred-million-plus of us, contains a similar multitude. I repeat for the last time: to understand me, you’ll have to swallow the world.
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