A Quote by Steve Earle

Politics has always been in my music. Anybody who doesn't understand how political "Copperhead Road" is isn't listening very well. — © Steve Earle
Politics has always been in my music. Anybody who doesn't understand how political "Copperhead Road" is isn't listening very well.
My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall. Art should live in the heart of the people. Ordinary people should have the same ability to understand art as anybody else. I don’t think art is elite or mysterious. I don’t think anybody can separate art from politics. The intention to separate art from politics is itself a very political intention.
I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.
What's your road, man? - holyboy road, madman road, rainbow road, guppy road, any road. It's an anywhere road for anybody anyhow. Where body how?
For me, what is political is very personal. Politics are not this abstract idea. Laws are the rules that dictate how we live our lives. What we eat is political. How we dress is political. Where we live is political. All of these things are influenced by political decision-making, and it's important to be part of the process.
When I'm in writing mode I tend not to listen to music. I usually have a gestation period before I start writing. When I'm listening, it usually happens on the road. So, we'd been listening to a lot of music on tour the year before and all that stuff sank in.
My definition of art has always been the same. It is about freedom of expression. I don’t think anybody can separate art from politics. The intention to separate [the two] is itself a very political intention.
Every film has a political side. It's something that you cannot ignore. Politics is a part of everything, it's how we speak, how we perceive one another, how we hold this interview: Everything is politics. But it's a very different thing to just stuff your film with political messages.
I can't marry myself to one idea or one form of doing politics or one form of understanding politics. I believe that we have to play the game of strategy, and understand how to move the pieces because this is how the political spectrum functions.
I think that all music is inherently political, and, at the same time, I'm interested in the politics of inclusion not exclusion. So I think that my goal is to make music that anybody can hear and feel moved by.
I understand the harsh feelings and sentiments from my opponents and their supporters because I myself have been defeated twice in my political life in the past and I understand very well it is hard to accept your own failure.
I've talked to my dad about road course racing more than anybody. I feel like he was a very underrated road course racer, so he's probably been more helpful than anybody even at HMS.
I don't think anybody is anybody else's moral compass. Maybe listening to my music is not the best idea if you live a very constricted life. Or maybe it is.
Whether you believe it or not, you have to understand the politics. In every script, there is a political bend that the writer has included. Whether you like it or not, is on you. But it's very important to know that politics.
We have to stop all of the fighting and talking without listening and find a sense of compromise. It's very evident that it could possibly happen. No matter what your political views are, we're in a very dangerous state of politics.
To understand music, you must listen to it. But so long as you are thinking, “I am listening to this music,” you are not listening.
Well I started out on guitar, so it is still the mainstay of my music. But I have recently been working very hard on my piano, and it is coming along to the point where it is taking more of the spotlight. It has been my plan to be able to make music well into my old age, and sitting down seems like a good idea. Also, I don't have to carry the piano on the road. I haven't been playing the banjo much of late because of the difficulties of travelling with so much gear. But maybe I'll bring it to Japan. It adds a different color to the musical palette.
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