A Quote by Steve Earle

I think the criticism that I take to heart is from other writers that I respect. — © Steve Earle
I think the criticism that I take to heart is from other writers that I respect.
I stand by it. I take the criticism for it. I think it's unfair, but yes, there is a thing about nepotism, and we all try to respect it.
I think the biggest hole is in criticism. I think there should be more informed criticism. Part of the problem is that in the '90s, the newspapers started losing their A-section and department-store advertising, and that paid for fashion writers and for the big feature space.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
First one gets works of art, then criticism of them, then criticism of the criticism, and, finally, a book on The Literary Situation , a book which tells you all about writers, critics, publishing, paperbacked books, the tendencies of the (literary) time, what sells and how much, what writers wear and drink and want, what their wives wear and drink and want, and so on.
If you take everything personally and to heart, it will tear you apart. Take criticism, learn, adjust, and move on.
Love and Other Theories challenged my assumptions, dared me to think differently and burrowed into my heart. A heart-achingly beautiful story about whether it is better to protect your heart or to take the biggest risk of all.
I think its important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, its where they begin as children that is important to them.
I think it's important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, it's where they begin as children that is important to them.
With all due respect to the other writers, I don't want to disparage any other writers; I don't want to have to invent a bigger villain than Deathstroke so Deathstroke can seem heroic fighting this bigger villain. I'd rather just have Deathstroke be who is, and he's kind of a bastard.
I think one should take criticism in one's stride and prove oneself. In fact, I would like to thank my critics as their criticism gave me the fire and passion to prove myself.
I've no regrets at all, but I still think at times that I would have loved to play in England. You live football over there; it's a great culture. People respect you more; it's more difficult to find respect in Spain. There is more criticism here.
Sometimes you get looked at harder than other people. I can take the criticism and I can take the heat.
I am really inspired by writers, and weirdly - respect music journalists, which I think makes me the exception amongst most musicians. I think it's a craft. I think it's been really neglected - sadly. I think about the days of the great legendary rock critics. Who's going to become that when magazines and newspapers don't pay anyone properly or don't seem to respect the history or research that is required?
One must take things lightly, after all, we are entertainers and acting isn't rocket science. The trick is, not to take criticism to the heart or analyse things too much.
I mean, if we're concerned genuinely with writing, I think we probably get on with our work. I think this is very true of English writers, but perhaps not so true of French writers, who seem to read each other passionately, extensively, and endlessly, and who then talk about it to each other - which is splendid.
Sure, you can argue one way or the other, and I respect those who think Adani should go ahead. I ask for respect in the other direction.
This site uses cookies to ensure you get the best experience. More info...
Got it!