A Quote by Steve Earle
Sympathetic characters usually have a voice. They usually don't have any trouble being heard.
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There is a timbre of voice that comes from not being heard and knowing / you are not being heard / noticed only by others / not heard for the same reason.
"Someone": I understood that this was a character who in her own life her voice hadn't much been heard and in literature her life isn't much heard. For me, it was resisting all the more appealing characters and listening to the voice that hadn't been much heard from.
'Selma' is a story about voice - the voice of a great leader; the voice of a community that triumphs despite turmoil; and the voice of a nation striving to grow into a better society. I hope the film reminds us that all voices are valuable and worthy of being heard.
My characters are always utterly sympathetic to me, if that makes any sense.
I very happily stand for the right of every man and woman in Pennsylvania to have their voice heard in elections. And when they do have their voice heard, it's nothing short of a privilege to welcome and respect that voice because this is a democracy, and that's what we do.
An activist is someone who makes an effort to see problems that are not being addressed and then makes an effort to make their voice heard. Sometimes there are so many things that it's almost impossible to make your voice heard in every area, but you can sure try.
What is absolutely true is that any good [Television] series has a specific voice. And I think that voice is almost exclusively the domain of the executive producer. . . . As a staff writer you're not being called upon to be the great creative person. You're sort of called upon to understand the characters and their voices and put them through certain paces.
Music so wishes to be heard that it sometimes calls on unlikely characters to give it voice.
A blessed and indestructible being has no trouble himself and brings no trouble upon any other being; so he is free from anger and partiality, for all such things imply weakness.
What really brought out the voice that I have, my soul voice and true voice, was really not getting any work and being very sad and being poor and having to sit with that. I think that's where the blues comes from.
I'm more worried about you," she said. "You and trouble..." "yeah." She heard the smile in his voice. "We're like that.
I know that a lot of feminist fears about the trans movement have been, "Wait, we never got to the part where we focus on women! We tried for a minute, but we don't want to lose the category all of a sudden. We haven't heard yet from the females with children called mothers, we haven't heard yet from all these groups!" On the one hand I'm very sympathetic to that, but the category of Women or Mothers, any of these categories, are on shifting sands and always have been.
While Jesus was at Jerusalem there came a voice from heaven. For what purpose was the voice sent? For the sake of those who stood by. "Jesus answered and said, This voice came not because of me, but for your sakes" (John xii, 30). Of what benefit was the voice when those who heard it were unable to distinguish it from thunder? "The people therefore, that stood by and heard it, said that it thundered" (29).
No writer besides Shakespeare has created more memorable characters attached to vices and virtues. In even their least sympathetic characters, one senses a kind of helplessness to passion quivering between the poles of good and evil.
I suppose that the sympathetic/unsympathetic debate about characters sometimes feels to me like a misstatement of purpose. I always think of truly complex characters are falling between the cracks in that debate.
I don't like sympathetic characters.
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